A dingy young painter, meagerly hirsute, and a pallid young woman of anarchical politics assembled the crew one evening and, taking hands, announced the fact of their temporary marriage. The temporary bridegroom made a speech which was enthusiastically acclaimed. Their association was connected (so Camilla understood) with some sublime quality inherent in the intersecting planes. In these various pairings gleamed none of the old Latin Quarter joyousness. Their immorality was most austere.
To Camilla, it was all new and startling—a phantasmagorical world. Free love the merest commonplace. And, after a short while, into this poisonous atmosphere wherein she dwelt there came two influences. One was the vigilancy of the Women's Social and Political Union; the other, Harry Shileto, a young architect, a healthy man in the midst of an unhealthy tribe.
First, young Shileto. It is not that he differed much from the rest of the crew in crazy theory. He maintained, like everyone else, that Raphael and Brunelleschi had retarded the progress of the world for a thousand years; he despised Debussy for a half-hearted anarchist; he lamented the failure of the architectural iconoclasts of the late 'Nineties; his professed contempt for all human activities outside the pale of the slum was colossal; on the slum marriage-theory he was sound, nay, enthusiastic. But he was physically clean, physically good-looking, a man. And as Camilla, too, practised cleanliness of person, they were drawn together.
And, at the same time, the cold, relentless hand of the great feminist organization got her in its grip. Blindly acting under orders, she interrupted meetings, broke windows, went to prison, shrieked at street-corners the independence of her sex. And then she came down on the bed-rock of a sex by no means so independent—on the contrary, imperiously, tyrannically dependent on hers. The theories of the slum, uncompromisingly suffragist, were all very well; they might be practised with impunity by the anemic and slatternly; but when Harry Shileto entered into the quasi-marriage bond with Camilla, the instinct of the honest Briton clamored for the comforts of a home. As all the time that she could spare from the neglect of her studies at the hospital was devoted to feminist rioting, and a mere rag of a thing came back at night to the uncared-for flat, the young man rebelled.
"You can't love and look after me and fool about in prison at the same time. The two things don't hold together."
And Camilla, her nerves a jangle,
"I am neither your odalisk nor your housekeeper; so your remark does not apply."
Oh, the squalid squabbles! And then, at last,
"Camilla"—he gave her a letter to read—"I'm fed up with all this rot."
She glanced over the letter.