Risca shrugged his round, thick shoulders.
“He will,” said he, “if He has a sense of humour.” Then he turned upon his friend somewhat roughly. “What would you have me tell the child?”
“My dear fellow,” said Herold, “if you would only give the world at large some of the imaginative effort you expend in that room, you would not need to wear your soul to shreds in a newspaper-office.”
“What is the good of telling me that?” growled Risca, the deep lines of care returning to his dark, loose-featured face. “Don't I know it already? It's just the irony of things. There's an artist somewhere about me. If there was n't, why should I have wanted to write novels and plays and poetry ever since I was a boy? It's a question of outlet. There are women I know who can't do a blessed thing except write letters; there they find their artistic outlet. I can find my artistic outlet only in telling lies to Stella. Would you deny me that?”
“Not at all,” said Herold, with a gay laugh. “The strain of having to remember another fellow's lies, in addition to one's own, is heavy, I admit, but for friendship's sake I can bear it. Only the next time you add on a new wing to that infernal house and fill it with majolica vases, for Heaven's sake tell me.”
For Herold, being Risca's intimate, had, for corroborative purposes, to be familiar with the dream palace, and when Risca made important additions or alterations without informing him, was apt to be sore beset with perplexities during his next interview with Stellamaris. But being an actor by profession (at the same time being an amateur in all other arts), he was quick to interpret another man's dream, and once, being rather at a loss, improved on his author and interpolated a billiard-room, much to Risca's disgust. Where the deuce, he asked, in angry and childlike seriousness, was there a place for a billiard-room in his palace? Did n't he know the whole lay-out of the thing by this time? It was inexcusable impertinence!
“Then why did n't you tell me about the music-room?” cried Herold, hotly, on this particular occasion. “How should I guess that an unmusical dog like you would want a music-room? In order not to give you away, I had to invent the billiard-room. A rotten house without a billiard-room!”
“I suppose you think it's a commodious mansion, with five reception-rooms, fourteen bedrooms and baths, hot and cold.”
The two men nearly quarreled.
But no hard words followed the discussion of Risca's rose-coloured and woefully ironical description of his work. Herold knew what pains of hell had got round about the man he loved, and strove to mitigate them with gaiety and affection. And while the Great High Belovedest and the Great High Favourite were grappling together with a tragedy not referred to in speech between them, and as remote from Stella's purview of life as the Lupanaria of Hong-Kong, she, with her white hand on the head of the blue Great Dane, who regarded her with patient, topaz eyes, looked out from her western window, over the channel, on the gold and crimson lake and royal purple of the sunset, and built out of the masses of gloried cloud and streaks of lapis lazuli and daffodil gem a castle of dreams compared with which poor John Risca's trumpery palace, with its Arachnes and Liliases and Niphetoses, was only a vulgar hotel in a new and perky town.