It was thus that, in the unwonted guise of ministering spirits, shame and remorse came to Unity Blake.

She had broken a sacred idol. He had not been angry. She had told a lie, and instead of punishing her,—of his horror-stricken motives she had no idea,—he had held her tight in kind arms and spoken softly. He had not actually wept, but he had been sorry at her lie, even as Aunt Gladys had been. Now he, being what to her mind was a kind of fusion of Jah and Zeus and Odin,—three single deities rolled into one,—was not a fool. Dimly through the mists of her soul dawned the logical conclusion: perhaps Aunt Gladys, in her sorrowful and non-avenging attitude towards her mendacities and other turpitudes, was not a fool either.

The bewildering truth also presented itself that lies, being unnecessary as a means of self-protection, were contemptible. In the same way she realized that if folks had no intention of punishing her for destroying their valuable property, even sacred gifts of fairy-princesses, but, instead, smiled on her their sweet forgiveness, they must have in them something of the divine which had hitherto been obscured from her vision. She had proved to herself that they could not be fools; rather, then, they were angels. They certainly could not enjoy the destruction of their belongings; therefore her clumsiness must cause them pain. Now, why should she inflict pain on people who were doing their utmost to make her happy? Why?

She began to ask herself questions; and when once an awakening human soul begins to do that, it goes on indefinitely. Some of the simplest ones she propounded to Miss Lindon, who returned answers simple in essence, though perhaps complex in expression; some her growing experience of life enabled her to answer for herself; some of the more difficult she reserved for her rare talks with Herold. But although the awfulness of John's majesty was mitigated by the investiture of an archangel's iridescent and merciful wings, she could never go to him with her problems. Never again since that memorable occasion did he put his arm around her; he held her gently aloof as before. But he had put his arm around her once, and the child's humility dared not hope for more.

Thus in a series of shocks, bewildering flashes of truth, followed by dark spaces of ignorance, was Unity's development initiated, and, indeed, continued. Her nature, deadened by the chill years, was not responsive to the little daily influences by which character is generally moulded. Only the great things, trivial in themselves, but great in her little life—for to an ant-hill the probing of a child's stick means earthquake, convulsion, and judgment-day cataclysm—only the great things, definite and arresting, produced perceptible change. But they left their mark. She was too dull to learn much in the ordinary routine of lessons; but once a fact or an idea could be made to appeal to her emotions or her imagination, it was there for all time. Not all the pains and teaching of her two protectors, for instance, could alter one inflection of her harsh cockney twang.

But one day after luncheon, Herold being present, Miss Lindon ordered her to recite “The Wreck of the Hesperus,” which artless poem she had learned unintelligently by heart, at Miss Lindon's suggestion, in order to give pleasure to her guardian. To give him pleasure she would have learned pages of the army list or worn tin tacks in her boots. After a month's vast labour she had accomplished the prodigious task.

Very shy, she repeated the poem in the child's singsong, and ended up on the “reef of Norman's Waow”.

John, not having been made a party to the “surprise” eagerly contrived by Miss Lindon, nodded, said it was very good, and commended Unity for a good girl. Herold kicked him surreptitiously, and applauded with much vigour.

“By Jove!” said he, impelled by queer instinct, “I used to know that. I wonder if I could recite it, too.”

He rose and began; and as he continued, his wonderful art held the child spell-bound. The meaningless words resolved themselves into symbols of vast significance. She saw the little daughter, her cheeks like the dawn of day, a vision of Stellamaris, and felt the moonless dark of the stormy night and the hissing snow and the stinging blast, and she shivered at the awful sight of the skipper frozen at the wheel, and a hush fell upon her soul as the maiden prayed, and the tears fell fast from her eyes as the picture of the fisherman finding the maiden fair lashed to the drifting mast was flashed before her by the actor's magic.