And like a wise woman, she cut short the conversation, and went upstairs to dress for dinner.
CHAPTER XXI
July brought in halcyon days for everybody.
They were halcyon days for Clementina. There were neglected portraits to complete, new sitters for whom to squeeze in appointments, a host of stimulating things, not the least of which was the beloved atmosphere, half-turpentine, half-poetry, of the studio. Only the painter can know the delight of the mere feel of the long-forsaken brush, and the sight of the blobs of colour oozing out from the tubes on to the palette. Most of us, returning to toil after holiday, sigh over departed joys. To the painter the joy of getting back to his easel is worth all the joys that have departed. Clementina plunged into work as a long-stranded duck plunges into water. By rising at dawn, a practice contrary to her habit, she managed to keep pace with her work and to attend to the various affairs which her new responsibilities entailed. Her days were filled to overflowing, and filled with extraordinary happiness. A nurse was engaged for Sheila, a kind and buxom widow who also found herself living in halcyon days. She could do practically whatever she liked, as her charge was seldom in her company. The child had her being in the studio, playing happily and quietly in a corner, thus realising Clementina’s dream, or watching her paint, with great, wondering eyes. The process fascinated her. She would sit for an hour at a time, good as gold, absorbed in the magic of the brush-strokes, clasping the dingy Pinkie tight against her bosom. Tommy appeared one day with a box of paints, a miniature easel, and a great mass of uncoloured fashion-plates of beautiful ladies in gorgeous raiment. A lesson or two inspired Sheila with artistic zeal, so that often a sitter would come upon the two of them painting breathlessly, Clementina screwing up her eyes, darting backwards and forwards to her canvas, and the dainty child seated on a milking-stool and earnestly making animated rainbows of the beautiful ladies in the fashion-plates.
Then there was the tedious process of obtaining probate of Hammersley’s will. Luckily, he had wound up all his affairs in Shanghai, to the common satisfaction of himself and his London house, so that no complications arose from the latter quarter. Indeed, the firm gave the executors its cordial assistance. But the London house had to be interviewed, and lawyers had to be interviewed, and Quixtus and all kinds of other people, and papers had to be read and signed, and affidavits to be made, and head-splitting intricacies of business and investments to be mastered. All this ate up many of the sunny hours.
Tommy and Etta had halcyon days of their own, which, but by the free use of curmudgeonly roughness, would have merged into Clementina’s. Etta had cajoled an infuriated admiral, raving round the room after a horsewhip, into a stern parent who consented to receive Tommy, explicitly reserving to himself the right to throw him out of window should the young man not take his fancy. Tommy called and was allowed to depart peacefully by the front door. Then Quixtus; incited thereto by Tommy, called upon the Admiral with the awful solemnity of a father in a French play, with the result that Tommy was invited to dinner at the Admiral’s and given as much excellent old port as he could stand. After which the Admiral called on Clementina, whom he had not met before. During the throes of horsewhip hunting he had threatened to visit her there and then and give her a piece of his mind—which at that moment was more like a hunk of molten lava than anything else. But the arts and wiles of Etta had prevailed so that the above scheduled sequence of events had been observed. Clementina, caught in the middle of a hot afternoon’s painting, received him, bedaubed and bedraggled, in the studio, whose chaos happened to be that day more than usually confounded. The Admiral, accustomed to the point-device females of his world, and making the spick and span of the quarter-deck a matter of common morality in material surroundings, went from Romney Place an obfuscated man.
“I can’t make your friend out,” he said to Etta. “I don’t mind telling you that if I had seen her, I should never have allowed you to visit her. I found her looking more like a professional rabbit-skinner than a lady, and when I went to sit down I had to clear away a horrid plate of half-finished cold pie, by George, from the chair. She contradicted me flatly in everything I said about you—as if I didn’t know my own child—and filled me up with advice.”
“And wasn’t it good, dear?”
“No advice is ever good. Like Nebuchadnezzar’s food, it may be wholesome but it isn’t good. And then she turned round and talked the most downright common sense about women I’ve ever heard a woman utter. And then, by Jove, I don’t know how it happened—I never talk shop, you know——”
“Of course you don’t, dear, never,” said Etta.