Tommy and Etta thus greeted stood paralysed before her like village children at a school feast when they are addressed by the awe-inspiring squire’s lady.

“Pinch me. Pinch me hard,” Tommy whispered, when Clementina had turned to meet Lord Radfield whom Quixtus was presenting.

“I believe I have the pleasure of taking you down to dinner,” said Lord Radfield.

“I’m a sort of brevet hostess in this house,” said Clementina. “A bad one, I’m afraid, seeing how late I am.”

Spriggs announced dinner. Quixtus led the way with Lady Radfield, Clementina on Lord Radfield’s arm closed the procession. The company took their places in the great dining-room. Quixtus at the end of the table by the door sat between Lady Radfield and Lady Louisa. Clementina at the foot between Lord Radfield and General Barnes. Lena Fontaine had her place as near Clementina as possible, between Lord Radfield and Griffiths, a dry splenetic man who had taken her in. Clementina had thus arranged the table-plan.

The scheme of decoration was too striking in its beauty not to arouse immediate and universal comment. It was half barbaric. Rich Chinese gold embroideries on the damask; black and gold lacquer urns, a great black-and-gold lacquer tray. Black irises, with golden tongues, in gold-dust Venetian glass; tawny orchids flaring profusely among the black and gold. Here and there shining though greenery the glow of golden fruit, and, insistent down the long table, the cool sheen of ambergris grapes. Glass and silver and damask; black and gold and ambergris; audacious, startling; then appealing to the eye as perfect in its harmony.

Quixtus and Tommy each proclaimed the author. All eyes were directed to Clementina. Attention was diverted to the name-and menu-cards. Lord Radfield put his name-card into his pocket.

“It is not every day in the week that one takes away a precious work of art from a London dinner-party.”

Clementina enjoyed a little triumph, the flush of which mounted to her dark face. With the flush, and in the setting she had prepared for herself, she looked radiant. Her late entrance had produced a dramatic effect; the immediate concentration of every one on her work, added to the commonplace of her reputation, had at once established her as the central figure in the room; and she sat as hostess at the foot of the table a symphony in ambergris, gold and black. Woman, in the use of woman’s weapons, has evolved no laws of fence.

“One might almost have said she did it on purpose,” murmured the ingenuous Tommy.