Quixtus declined the cigarette. He remained silent; looking gloomily at the young, eager face which masked heaven knows what faithlessness and guile. Being in league with Clementina, whom he knew now was his enemy, Tommy was his enemy too. And yet, for the life of him, he could not carry out the malignant object of his visit. For some time Tommy directed the conversation. He upbraided the treacherous English climate which had enticed him out of doors, and then stretched him on a bed of sickness. It was rough luck. Just as he was beginning to find himself as a landscape painter. It was a beautiful little bit of river—all pale golden lights and silver greys—now that May was beginning and all the trees in early leaf he could not get that spring effect again—could not, in fact, finish the picture. By the way, his uncle had not heard the news. The little picture that had got (by a mistake, according to Clementina) into a corner of the New Gallery, had just been sold. Twenty-five guineas. Wasn’t it ripping? A man called Smythe, whom he had never heard of, had bought it.
“You see, it wasn’t as if some one I knew had bought it, so as to give a chap some encouragement,” he remarked naïvely. “It was a stranger who had the whole show to pick from, and just jumped at my landscape.”
Quixtus, who had filled up by monosyllables the various pauses in Tommy’s discourse, at last rose to take his leave. He had tried now and then to say what he had come to say; but his tongue had grown thick and the roof of his mouth dry, and his words literally stuck in his throat.
“It’s awfully good of you, Uncle Ephraim,” said Tommy, “to have come to see me. As soon as I get about again, I’ll try to do something jolly for you. There’s a bit of wall in your drawing-room that’s just dying for a picture. And I say”—he twisted his boyish face whimsically and looked at him with a twinkle in his dark blue eyes—“I don’t know how in the world it has happened—but if you could let me draw my allowance now instead of the first of the month——”
This was the monthly euphemism. Against his will Quixtus made the customary reply.
“I’ll send you a cheque as usual.”
“You are a good sort,” said Tommy. “And one of these days I’ll get there and you won’t be ashamed of me.”
But Quixtus went away deeply ashamed of himself, disgusted with his weakness. He had started out with the fixed and diabolical intention of telling the lad that he was about to disinherit him.
He had schemed this exquisite cruelty in the coolness of solitude. In its craft and subtlety it appeared peculiarly perfect. He had come fully prepared to perform the deed of wickedness. Not only had Clementina’s gentle presence not caused him to waver in his design, but his discovery of her complicity in his great betrayal had inflamed his desire for vengeance. Yet, when the time came for the wreaking thereof, his valour was of the oozing nature lamented by Bob Acres. He was shocked at his pusillanimity. In the middle of Sloane Square he stopped and cursed himself, and was nearly run over by a taxi-cab. As it was empty he hailed it, and continued his maledictions in the security of its interior.
Manifestly there was something wrong in his psychological economy which no reading of Lombroso or “The Newgate Calendar” could remedy. Or was he merely suffering from a lack of experience in evil doing? Did he not need a guide in the Whole Art and Practice of Wickedness?