“I suppose you’re the only woman in London who rolls her own cigarettes.”
“Well?” asked Clementina.
He laughed. “That’s all.”
“It was an idiotic remark,” said Clementina.
The maid brought in tea, and it was Tommy who played host. She softened a little as he waited on her.
“I was meant to be a lady, Tommy, and do nothing. This paint-brush walloping—after all, what is it? What’s the good of painting these fools’ portraits?”
“Each of them is work of genius,” said Tommy.
“Rot and rubbish,” said Clementina. “Let me clear your mind of a lot of foolish nonsense you hear at your high-art tea-parties, where women drivel and talk of their mission in the world. A woman has only one mission; to marry and get babies. Keep that fact in front of you when you’re taking up with any of ’em. Genius! I can’t be a genius for the simple reason that I’m a woman. Did you ever hear of a man-mother? No. It’s a contradiction in terms. So there can’t be a woman-genius.”
“But surely,” Tommy objected, more out of politeness, perhaps, than conviction, for every male creature loves to be conscious of his sex’s superiority. “Surely there was Rosa Bonheur—and—and in your line, Madame Vigée Le Brun.”
“Very pretty,” said Clementina, “but stick them beside Paul Potter and Gainsborough, and what do they look like? Could a woman have painted Paul Potter’s bull?”