I am not superstitious, but I feel myself to-night on the brink of some disaster. I walk restlessly about the room. On the mantel-piece are three photographs in silver frames: Judith, Carlotta, Pasquale. That which is of mockery in the spirit of each seems to-night to be hovering round the portraits and to be making sport of me. An autumn gale is howling among the trees outside, like a legion of lost souls. Listen. Messer Diavolo himself might be riding by with a whoop of derision.
CHAPTER XV
October 26th.
I knew something would happen. Messer Diavolo does not ride whooping to no purpose by the windows of people whom he desires to torment; nor does he inspire photographs for nothing with an active spirit of mockery.
We dined at the Trocadero. Carlotta loves the band and the buzz of Babel and the heavy scents and the clatter and the tumult and the glare of light; otherwise I should have chosen a discreeter hostelry where the footfalls of the waiting-men were noiseless and the walls in quiet shadow, where there was nothing but the mellow talk of friends to distract the mind from the consideration of exquisite flavours. But in these palaces of clashing splendour, the stunned brain fails to receive impressions from the glossopharyngeal nerve, and one eats unthinkingly like a dog. But this matters little to Carlotta. Perhaps when I was nineteen it mattered little to me. And to-night, also, it mattered little, for my mind was preoccupied and a dinner with Lucullus would have been savourless.
If the Psalmist cried, “What is man that Thou art mindful of him?” what cry had he at the back of his head to utter concerning woman? Did he leave her to be implicitly dealt with by Charles Darwin in his “Theory of Sexual Selection”? Or did he in the good old oriental way regard her as unimportant in the eyes of the Deity? If the latter, he was a purblind prophet and missed the very fount of human tears.
When I looked at Judith, I was smitten with a great pain. She had not looked so young, so fresh, so fragilely fair for many months. She wore a dress of corn-flower blue that deepened the violet of her eyes. In the mass of flax hued thistle-down that is her hair a blue argus butterfly completed the chord of colour. There was the faintest tinge of pink in her cheek applied with delicate art. Her dress seemed made of unsubstantial dream stuff—I believe they call it chiffon—and it covered her bosom and arms like the spray of a fairy sea. She had the air of an impalpable Undine, a creation of sea-foam and sea-flower; an exquisite suggestion of the ethereal which floated beauty, as it were, into her face. I know little of women, save what these past few grievous months have taught me; but I know that hours of anxious thought and desperate hope lay behind this effect of fragile loveliness. The wit of woman could not have rendered a woman’s body a greater contrast to that of her rival; and with infinite subtlety she had imbued the contrast with the deeper significance of rare and spiritual things. I know this was so. I know it was a challenge, a defiance, an ordeal by combat; and the knowledge hurt me, so that I felt like a Dathan or Abiram who had laid hand on the Ark of the Covenant (for the soul of a woman, by heaven! is a holy thing), and I wished that the earth could open and swallow me up.
We sat down to table in the middle of the great room—a quiet corner on the balcony away from the band is not to Carlotta’s taste—like any conventional party of four, and at first talked of indifferent matters. Conciergerie dinner-parties in the Terror always began with a discussion of the latest cure for megrims, or the most fashionable cut of a panier. Presently Pasquale who had been talking travel with Judith appealed to me.
“What year was it, Ordeyne, that I came home from Abyssinia?”