They turned away, and Doggie found himself sitting on a bench by the man’s side.
“It’s not me that can tell you that,” said he, “and my wife and children in Galway.”
“Were you there at the outbreak of war?”
He was. A reservist called back to the colours after some years of retirement from the army. He had served in India and South Africa, a hard-bitten soldier, proud of the traditions of his old regiment. There were scarcely any of them left—and that was all that was left of him. He smiled cheerily. Doggie condoled with him on the loss of his arm.
“Ah sure,” he replied, “and it might keep me out of a fight when I go into Ballinasloe.”
“Who would you want to fight?” asked Doggie.
“The dirty Sinn Feiners that do be always shouting ‘Freedom for Ireland and to hell with freedom for the rest of the world.’ If I haven’t lost my arm in a glorious cause, what have I lost it for? Can you tell me that?”
Doggie agreed that he had fought for the greater freedom of humanity and gave him a cigarette, and they went on talking. The Irishman had been in the retreat from Mons, the first battle of Ypres, and he had lost his arm in no battle at all; just a stray shell over the road as they were marching back to billets. They discussed the war, the ethics of it. Doggie still wanted to know why the realities of blood and mud and destruction were not the true things. Gradually he found that the Irishman meant that the true things were the spiritual, undying things; that the grim realities would pass away; that from these dead realities would arise the noble ideals of the future, which would be symbolized in song and marble; that all he had endured and sacrificed was but a part of the Great Sacrifice we were making for the Freedom of the World. Being a man roughly educated on a Galway farm and in an infantry regiment, he had great difficulty in co-ordinating his ideas; but he had a curious power of vision that enabled him to pierce to the heart of things, which he interpreted according to his untrained sense of beauty.
They parted with expressions of mutual esteem. Doggie struck across the Gardens with a view to returning home by Knightsbridge, Piccadilly and Shaftesbury Avenue. He strode along, his thoughts filled with the Irish soldier. Here was a man, maimed for life and quite content that it should be so, who had reckoned all the horrors through which he had passed as externals unworthy of the consideration of his unconquerable soul; a man simple, unassuming, expansive only through his Celtic temperament, which allowed him to talk easily to a stranger before whom his English or Scotch comrade would have been dumb and gaping as an oyster; obviously brave, sincere and loyal. Perhaps something even higher. Perhaps, in essence, the very highest. The Poet-Warrior. The term struck Doggie’s brain with a thud, like the explosive fusion of two elements.
During his walk to Kensington Gardens a poisonous current had run at the back of his mind. Drifting on it, might he not escape? Was he not of too fine a porcelain to mingle with the coarse and common pottery of the ranks? Was it necessary to go into the thick of the coarse clay vessels, just to be shattered? It was easy for Phineas to proclaim that he found no derogation to his dignity as a man of birth and a university graduate in identifying himself with his fellow privates. Phineas had systematically brutalized himself into fitness for the position. He had armed himself in brass—æs triplex. He smiled at his own wit. But he, James Marmaduke Trevor, who had lived his life as a clean gentleman, was in a category apart.