“Why did you leave him? Why didn’t you bring him here?” asked Olivia, her eyes all pity and her lips parted.
“I asked him. He wouldn’t come. He must begin his search at once—take ship for Denmark. . . . Meanwhile, dearest,” he said after a pause, “being practically without resources, he referred to his thousand pounds. That’s where you and I come in. He entrusted me with the money and the accident of losing it could not relieve me of the responsibility—could it?”
He glanced a challenge. Her uprightness waved it aside.
“Good heavens, no!”
“Well, I took him to my bank and gave him the thousand pounds in Bank of England notes. So, my dear, we’re all that to the bad on our balance sheet. We’re nearly broke—and we’ll have to put off our trip round the world to more prosperous times.”
Although, womanlike, she tried at first to kick against the pricks, parading the foolish fortune lying idle at the bank, that was the end of the romantic project. Her common sense asserted itself. A thousand pounds, for folks in their position, was a vast sum of money. She resigned herself with laughing grace to the inevitable, and poured on her husband all the consolation for disappointment that her heart could devise. Their pleasant life went on. Deeply interested in Vronsky, she questioned him from time to time. Had he no news of the tragic wanderer? At last, in February, he succumbed to the temptation to finish for ever with these Frankenstein monsters. He came home one afternoon, and after kissing her said with a gay air:
“I found a letter at Decies Street”—the house of his publishers—“from whom do you think? From Vronsky. Just a few lines. He tracked his family to Palermo and they’re all as happy as can be. How he did it he doesn’t say, which is disconcerting, for one would like to know the ins and outs of his journeyings. But there’s the fact, and now we can wipe Vronsky off our slate.”
In March the novel appeared. Reviewers lauded it enthusiastically as a new note in fiction.
The freshness of subject, outlook, and treatment appealed to the vastly superior youth, the disappointed old, and the scholarly and conscientious few, who write literary criticism. The great firm of publishers smiled urbanely. Repeat orders on a gratifying scale poured in every day. Triona took Olivia to Decies Street to hear from publishing lips the splendid story. They went home in a taxi-cab, their arms around each other, intoxicated with the pride of success and the certainty of their love. And the next day Olivia said:
“If we can’t go round the world, at any rate let us have a holiday. Let us go to Paris. We can afford it.”