CHAPTER V

THE first thing a cat does on taking up its quarters in a new home is to make itself acquainted with its surroundings. It walks methodically with uplifted tail and quivering nose from vast monument of sideboard to commonplace of chair, from glittering palisade of fender to long lying bastion of couch, creeps by defences of walls noting each comfortable issue, prowls through lanes and squares innumerable formed by intricacies of furniture; and having once gone through the grave business, worries its head no more about topography and points of interests, but settles down to serene enjoyment of such features of the place as have appealed to its æsthetic or grosser instincts. In this respect the average human is nearer a cat than he cares to realise. The first hour on board a strange ship is generally devoted to an exhaustive exploration never repeated during the rest of the voyage, and doubtless a prisoner’s first act on being locked into his cell is to creep round the confined space and familiarise himself with his depressing installation.

Obeying this instinct common to cats and men, Martin and Corinna, as soon as they had finished breakfast the next morning, wandered forth and explored Brantôme. They visited the grey remains of the old abbey begun by Charlemagne. But Villon writing in the 15th Century and asking “Mais où est le preux Charlemaigne?” might have asked with equal sense of the transitory nature of human things: “Where is the Abbey which the knightly Charlemagne did piously build in Brantôme?” For the Normans came and destroyed it and one eleventh-century tower protecting a Romanesque Gothic church alone tells where the abbey stood. Strolling down to the river level along the dusty, shady road, they came to the terraced hill-side, past which the river once infinitely furious must have torn its way. In the sheer rock were doors of human dwellings, numbered sedately like the houses of a smug row. Above them, at the height of a cottage roof, stretched a grassy plain, from which, corresponding with each homestead, emerged the short stump of a chimney emitting thin smoke from the hearth beneath. Before one of the open doors they halted. Children were playing in the one room which made up the entire habitation. They had the impression of a vague bed in the gloom, a table, a chair or two, cooking utensils by the rude chimney-piece, bunks fitted into the living rock at the sides. The children might have been Peter Pan and Wendy and Michael and John and the rest of the delectable company, and the chimney-stump above them might have been replaced by Michael’s silk hat, and on the green sward around it pirates and Red Indians might have fought undetected by the happy denizens below.

Thus announced Corinna with lighter fancy. But Martin, serious exponent of truth, explained that the monks, in the desolate times when their Abbey was rebuilding had hewn out these abodes for cells and had dwelt in them many many years; and to prove it, having conferred, before her descent to breakfast, with the excellent Monsieur Bigourdin, he led her to a neighbouring cave, called in the district, Les Grottes—Hence the name of Bigourdin’s hotel—which the good monks, their pious aspiration far exceeding their powers of artistic execution, had adorned with grotesque and primitive carvings in bas-relief, representing the Last Judgment and the Crucifixion.

They paused to admire the Renaissance Fontaine Médicis, set in startling contrast against the rugged background of rock, with its graceful balustrade and its medallion enclosing the bust of the worthy Pierre de Bourdeille, Abbé de Brantôme, the immortal chronicler of horrific scandals; and they crossed the Pont des Barris, and wandered by the quays where men angled patiently for deriding fish, and women below at the water’s edge beat their laundry with lusty arms; and so past the row of dwellings old and new huddled together, a decaying thirteenth-century house with its heavy corbellings and a bit of rounded turret lost in the masonry jostling a perky modern café decked with iron balconies painted green, until they came to the end of the bridge that commands the main entrance to the tiny water-girt town. They plunged into it with childlike curiosity. In the Rue de Périgueux they stood entranced before the shop fronts of that wondrous thoroughfare alive with the traffic of an occasional ox-cart, a rusty one-horse omnibus labelled “Service de Ville” and some prehistoric automobile wheezing by, a clattering impertinence. For there were shops in Brantôme of fair pretension—is it not the chef lieu du Canton?—and you could buy articles de Paris at most three years old. And there was a Pharmacie Internationale, so called because there you could obtain Pear’s soap and Eno’s Fruit salt; and a draper’s where were exposed for sale frilleries which struck Martin as marvellous, but at which Corinna curved a supercilious lip; and a shop ambitiously blazoned behind whose plate-glass windows could be seen a porcelain bath-tub and other adjuncts of the luxurious bathroom, on one of which, sole occupant of the establishment, a little pig-tailed girl was seated eating from a porringer on her knees; and there were all kinds of other shops including one which sold cabbages and salsifies and charcoal and petrol and picture postcards and rusty iron and vintage eggs and guano and all manner of fantastic dirt. And there was the Librairie de la Dordogne which smiled at you when you asked for devotional pictures or tin-tacks, but gasped when you demanded books. Martin and Corinna, however, demanded them with British insensibility and marched away with an armful of cheap reprints of French classics disinterred from a tomb beneath the counter. But before they went, Martin asked:

“But have you nothing new? Nothing from Paris that has just appeared?”

“Voici, monsieur,” replied the elderly proprietress of the Library of the Dordogne, plucking a volume from a speckled shelf at the back of the shop. “On trouve ça très joli.” And she handed him Le Maître de Forges, by Georges Ohnet.