“Mr. Porteous even said,” continued Norma, “that it was scandalous such a man should be making thousands when men of genius were making hundreds. It was taking the bread out of their mouths.”
“I am sorry he said that,” said Jimmie. “I think we ought rather to be glad that a man of poor talent has been so successful. So many of them go to the wall.”
“Do you always find the success of your inferior rivals so comforting?” asked Norma. “I don't.” She thought of the depredatory American.
Jimmie pushed his hat to the back of his head—a discoloured Homburg hat that had seen much wear—and rammed his hands in his pockets.
“It's horrible to regard oneself and one's fellow-creatures as so many ghastly fishes tearing one another to pieces so as to get at the same piece of offal. That's what it all comes to, does n't it?”
The picture of the rapt duke as garbage floating on the tide of London Society brought with it a certain humourous consolation. That of her own part in the metaphor did not appear so soothing. Jimmie's proposition being, however, incontrovertible, she changed the subject and enquired after Aline. Why had n't he brought her?
“I am afraid we should have argued about Foljambe's painting,” said Jimmie, with innocent malice.
“And we should have agreed about it,” replied Norma. She talked about Aline. Morland King had been tale-bearing. It was refreshing, she confessed, once in a way to hear good of one's fellow-creatures: like getting up at six in the morning in the country and drinking milk fresh from the cow. It conferred a sense of unaccustomed virtue. The mention of milk reminded her that she was dying for tea. Was it procurable?
“There's a roomful of it. Can I take you?” asked Jimmie, eagerly.
She assented. Jimmie piloted her through the chattering crowd. On the way they passed by Mrs. Hardacre, still devoting the pearls of her attention to the pigs. She acknowledged his bow distantly and summoned her daughter to her side.