The loud report of a cannon shook the windows of the room, and died away in long-repeated echoes among the distant hills.
“That is the signal for the Council of War, my Lady,” said La Corne. “A soldier's luck! just as we were going to have music and heaven, we are summoned to field, camp, or council.”
The gentlemen rose and accompanied the ladies to the drawing-room, and prepared to depart. Colonel Philibert took a courteous leave of the ladies of Tilly, looking in the eyes of Amélie for something which, had she not turned them quickly upon a vase of flowers, he might have found there. She plucked a few sprays from the bouquet, and handed them to him as a token of pleasure at meeting him again in his own land.
“Recollect, Pierre Philibert!” said the Lady de Tilly, holding him cordially by the hand, “the Manor House of Tilly is your second home, where you are ever welcome.”
Philibert was deeply touched by the genuine and stately courtesy of the lady. He kissed her hand with grateful reverence, and bowing to both the ladies, accompanied La Corne St. Luc and Le Gardeur to the castle of St. Louis.
Amélie sat in the recess of the window, resting her cheek upon her tremulous hand as she watched the gentlemen proceed on their way to the castle. Her mind was overflowing with thoughts and fancies, new, enigmatical, yet delightful. Her nervous manner did not escape the loving eye of her aunt; but she spoke not—she was silent under the burden of a secret joy that found not vent in words.
Suddenly Amélie rose from the window, and seated herself, in her impulsive way, at the organ. Her fingers touched the keys timidly at first as she began a trembling prelude of her own fantasy. In music her pent-up feelings found congenial expression. The fire kindled, and she presently burst out with the voice of a seraph in that glorious psalm, the 116th:
“'Toto pectore diligam
Unice et Dominum colam,
Qui lenis mihi supplici
Non duram appulit aurem.
Aurem qui mihi supplici,
Non duram dedit; hunc ego
Donec pectora spiritus
Pulset semper, amabo.'”
The Lady de Tilly, half guessing the truth, would not wound the susceptibilities of her niece by appearing to do so; so rose quietly from her seat and placed her arms gently round Amélie when she finished the psalm. She pressed her to her bosom, kissed her fondly, and without a word, left her to find in music relief from her high-wrought feelings. Her voice rose in sweeter and loftier harmonies to the pealing of the organ as she sang to the end the joyful yet solemn psalm, in a version made for Queen Mary of France and Scotland when life was good, hope all brightness, and dark days as if they would never come.