INDEX.
Abbot, Mr., [;14], [;15]
Abbott, Mrs., [;97]
"A Chapter of Accidents, " song, [;12]
Albany, N. Y., [;90], [;101]
"All at Coventry, "[;116]
American Theatre, Phila., [;20]
"Amilie; or, The Love Test, "[;23]
"An Alarming Sacrifice, "[;116]
"Animal Magnetism, "[;112]
"Antigone, "[;22]
"Antony's Orations, "[;15]
"An Unwarrantable Intrusion, "[;58]
"Apollo in New York, "[;115]
Arch Street Theatre, Phila., [;9], [;13], [;26]
Astor Place Opera-House, [;97]
"As You Like It, "[;97], [;113]
Atlanta, Ga., [;155]
"Bachelors' Torments, "[;53]
Balls, Mr., [;15]
Baltimore, Md., [;26], [;37]
"Banker's Daughter, " the, [;132]
"Barbers at Court, "[;116]
Barlow, S. L. M., [;179]
Barnett, Morris, [;98], [;156]
Barrett, Geo., [;38], [;45];
extended mention, [;75], [;76]
Barry, Thos., [;38]
"Beehive, " the, [;115]
"Betsey Baker, "[;116]
Biddle, Nicholas, [;24]
Blake, W. R., [;38], [;45], [;51];
extended mention, [;51]-55;
mention, [;68], [;72], [;78], [;92], [;111], [;169], [;175]
Bland, Humphrey, [;45], [;51];
extended mention, [;74], [;97], [;169]
"Blighted Being, " a, [;73]
"Blue Devils, "[;112], [;140]
Booth, Edwin, [;47], [;101]
Boston, Mass., [;37], [;102]
Boston Theatre, [;102]
Boucicault, Dion, [;47], [;98], [;101], [;132]
"Box and Cox, "[;114]
"Breach of Promise, " the, [;94], [;113], [;163], [;171]
Broadway Theatre, [;38];[;67], note
"Broken Heart, " the, [;114]
Brooklyn, N. Y., [;39]
Brougham, Jno., [;37], [;45];
extended mention, [;55]-64, [;71], [;92], [;149]
Brougham's Lyceum, [;60]
Brougham, Mrs., [;60]
Buckland, Mrs. Kate, [;45]
Buckstone, J. B., [;36], [;131]
Burton's Company in Chambers Street; extended review of particular players, [;45]-92
"Burton's N. Y. Directory, "[;114]
Burton's New Theatre, [;88], [;99], [;100], [;101], [;102]
Burton, Robert, [;158]
Burton's Theatre, Chambers Street, [;27], [;29], [;34], [;36], [;39], [;40], [;42], [;44], [;47], [;56], [;63], [;74], [;85], [;88], [;93], [;97], [;99], [;149], [;168], [;169], [;172], [;175]
Burton, Wm. Evans, subject of memoir, mention, preface;
birth and parentage, education, [;3];
edits a monthly magazine, amateur acting, [;4];
adopts the profession, first appearance in London, [;5];
succeeds Listen at Haymarket, plays with E. Kean, [;6];
his play of "Ellen Wareham, "[;7];
progress and arrival in America, [;8];
first appearance in America, [;9];
portrait by Inman, [;9];
his success in Philadelphia, [;9] et seq.;
his musical talent, [;12];
development and versatility, [;13];
popularity and benefits, [;14];
busy with pen, [;16];
starts "The Gentleman's Magazine, "[;16];
connection with E. A. Poe, [;16], [;17];
letter to Poe, [;18];
literary ventures, [;19], [;20];
President Martin Van Buren an auditor, [;20];
amusing experience at Napoleon, [;20] et seq.;
speech for the author of "Antigone, "[;22];
first appearance in New York, [;22];
sundry appearances, [;23];
opens National Theatre, Phila.; produces "Naiad Queen"; at Providence; manager in New York, [;24];
loss by fire, [;25];
returns to Philadelphia, [;26];
survey of career in Phila., [;27] et seq.;
opens Chambers St. Theatre, [;36];
energy and perseverance, [;37];
charitable benefits, [;38];
popularity of theatre, [;39];
his power of attraction, [;40], [;41];
encomium of Jos. N. Ireland, [;42], [;43];
extended mention of members of company, [;45]-92;
produces "Dombey and Son, "[;56];
pleasantries with Brougham, [;58];
stage incident, [;59];
surprised by Thompson, [;84];
amusing correspondence with Norton, [;85], note;
relations with Mrs. Hughes, [;88];
his attributes as manager, [;95];
Shakesperian revivals, [;95], [;96];
plays for Dramatic Fund and Centenary Festival, [;97], [;98];
plays at Niblo's, [;99];
closes Chambers St. and opens New Theatre, [;99];
progress, [;100];
plays Dogberry, appears in Albany, [;101];
in Boston, [;102];
New Theatre closed, starring tour, [;102];
last appearance in New York, [;103];
engagement in Canada, and letter to his children, [;103]-110;
last appearance on any stage, and death, [;110];
list of
parts acted, [;111]-117;
personal appearance, [;121];
mental equipment, [;122], [;123];
an expounder and representative of the humor of the drama, [;124], [;125];
his comic power mentioned by Wemyss, [;125];
his performances in farce, [;123]:
"The Mummy, "[;134] et seq.;
Madame Vanderpants, [;137] et seq.;
"The Wandering Minstrel, " Pillicoddy, [;139].
His specially famous parts:
Paul Pry, [;144] et seq.;
Captain Cuttle, [;148] et seq.;
Ireland's tribute to Cuttle[;151], note;
Aminadab Sleek, [;152] et seq.;
stage incident of "Serious Family, "[;153];
ushered in with thunder, [;155];
Timothy Toodles, [;156] et seq.
His performances in comedy, [;158] et seq.:
Micawber, [;160];
Mr. Bumble, [;161];
Squeers, Sam Weller, [;162];
Bob Acres, [;164];
Tony Lumpkin, Chas. Goldfinch, [;165];
Dr. Ollapod, [;166];
Sir. Geo. Thunder, Job Thornberry (see[;59] and[;68]), [;167];
Sir Oliver Surface, [;167];
Mr. Graves, Mock Duke, Adam Brock, Van Dunder, [;168];
"Nature's Nobleman, "[;168];
John Smith, [;170];
Mr. Sudden, Thomas Trot, Don Whiskerandos, Triplet, [;171].
His performances in Shakespeare:
"A Midsummer-Night's Dream, "[;171];
Bottom, [;172] et seq.;
Sir Toby Belch, [;174];
Caliban, Autolycus, Falstaff, [;175];
one of the Carriers in "Henry IV., "[;176].
His residence and library; story of the painter, Elliot, [;179];
description of library, [;181] et seq.
Burton, Wm. Geo., father of subject, [;3], [;4]
"Busybody, " the, [;117]
Campbell, Thos., [;142]
Carey & Hart, [;20]
"Caste, "[;132]
Castle Garden, [;98]
"Catspaw, " the, [;114]
Chambers Street Theatre (see Burton's Theatre, Chambers St.)
Chapman, Caroline, [;45];
extended mention, [;60], [;61]
Chapman, Mr., [;97]
"Charles II., "[;94], [;116]
"Charles XII., "[;94], [;116], [;163], [;168]
Chatham Garden Theatre, [;53]
Chatham Theatre, [;97]
Chestnut Street Theatre, [;13], [;15], [;26]
Chippendale, Mr., [;97]
"Cinderella, "[;113]
Clapp, W. W., preface.
Clarke, C. W., [;45]
"Cockney, " the, [;116]
Cole, John O., [;90]
Collins, John, [;101]
Colman, Geo. (the Younger), [;9], [;131], [;167]
"Comedy of Errors, "[;111]
"Comfortable Lodgings, "[;116]
Cooke's Circus Building, Phila., [;24]
Cooke, Geo. Fred., [;126]
"Cork Leg, " the, song, [;12]
Covent Garden Theatre, [;166]
"Crimson Crimes, "[;116]
"Critic, " the, [;113], [;163]
"Cupid, "[;14]
"Cure for the Heartache, " a, [;69], [;114]
Curwen, Henry, [;17], note
Cushman, Charlotte, [;24], [;91], [;97]
Cushman, Susan, [;24]
Daly, Augustin, [;132]
Daly's Theatre, [;38]
Dance, Chas., [;65]
"Dan Keyser de Bassoon, "[;36]
"David Copperfield, "[;61], [;62], [;74], [;88], [;93], [;113], [;160]
Davidge, Wm., [;20], [;21]
Dawson, Mr., [;38]
"Deaf as a Post, "[;11], [;14], [;116]
"Delicate Ground, "[;65]
Devlin, Mary, [;45], [;46], [;47]
Dickens, Charles, [;62], [;63], [;73], [;122], [;149], [;152], [;161], [;162]
"Dombey and Son, " extended mention, [;56], [;60], [;62], [;63], [;88], [;93], [;112], [;149], [;152], [;160]
Don, Sir Wm., [;98]
Doran, Dr., [;7], note
"Duel in the Dark, " a, [;116]
"Dutch Governor, " the, [;112], [;163], [;168]
Dyott, Jno., [;45], [;71];
extended mention, [;76], [;77], [;167], [;169]
Edinburgh, Scotland, [;127]
"Education, "[;115]
"Ellen Wareham, "[;7], [;8], [;115]
Elliot, C. L., painter, incident, [;179], [;180]
Elliston, R. W., [;3], [;11]
Elphinstone, Miss, [;10]
Emerson, R. W., [;69]
"Every Man in His Humor, "[;75], [;115]
"Evil Genius, "[;112]
"False Pretences, "[;115]
"Family Jars, "[;94], [;115]
Farren, Wm., [;85], [;159]
"Fascination, "[;115]
"First Night, " the, [;49]
Fisher, Chas., [;45], [;55], [;70], [;76];
extended mention, [;78]-82, [;171]
Florence, Mrs. W. J., [;45], [;46], [;47]
Florence, W. J., [;92]
Ford's Theatre, Boston, [;37]
Forrest, Edwin, [;38], [;51], note
"Forty Winks, "[;23], [;111]
"Fox Hunt, " the, [;98], [;115]
Francis, Jno. W., [;126]
"French Spy, " the, [;114]
"Friend Waggles, "[;114]
Front Street Theatre, Baltimore, [;26]
"Genevieve, "[;115]
George IV. (king), [;5]
Gilbert, Mrs., [;38], [;97]
Gilbert, John, [;55]
"Giralda, "[;117]
Glen Gove, L. I., [;179]
Glover, Mrs., [;7], note
"Good Night's Rest, " a, [;113]
"Great Tragic Revival, " a, [;115]
"Gretna Green, "[;114]
"Guy Mannering, "[;113]
Hackett, James, [;175]
Hamblin, Thos., [;97]
Hamilton, Canada, [;43], [;88], [;103]
"Hamlet, "[;117]
"Hamlet Travestie, "[;116]
"Happiest Day of my Life, " the, [;94], [;113], [;140]
"Haunted Man, " the, [;114]
Haymarket Theatre, London, [;6], [;10]
"Hazel Kirke, "[;132]
Hazlitt, Wm., [;125], [;164]
"Heart of Gold, "[;115]
"Heir-at-Law, "[;13], [;82], [;87], [;112]
"Helping Hands, "[;115]
"Henry IV., "[;175]
"High Life Below Stairs, "[;113]
Hoey, Mrs. (see Mrs. Russell)
Hoey, John, [;46]
Holland, Geo., [;45], [;49], [;85]
Holland House, [;129]
Holman, Geo., [;45], [;71], [;85]
Holmes, O. W., [;93]
"Home, "[;132]
"Honeymoon, " the, [;74], [;113], [;163]
Hood, Thos., [;41], [;130]
Hough, Mrs., [;45]
"How to Die for Love, "[;15]
"How to Make Home Happy, "[;94], [;117]
Hughes, Hon. Chas., [;88]
Hughes, Mrs., [;45], [;51];
extended mention, [;87], [;90], [;102], [;103], [;139], [;160], [;162], [;167], [;169]
"Hunchback, " the, [;74]
Hunt, H., [;38]
Hunt, Mrs., [;20]
Hutton, Lawrence, preface;
mention, [;35], [;36], [;62]
"Hypocrite, " the, [;13], [;116]
"Ill Playing with Edged Tools, " 'Tis, [;115]
"Innkeeper's Daughter, " the, [;112]
Inman, Henry, painter, [;9]
"Invisible Prince, " the, [;116]
Ireland, Jos. N., preface;
mention, [;28], [;37], [;39], [;42], [;101], [;102], [;103], [;111], [;151], note
"Irish Dragoon, " the, [;36]
"Janet Pride, "[;116]
Jefferson, Jos. (1st), [;11]
Jefferson, Jos. (3d), [;92], [;101], [;132], [;142], [;164]
"John Bull, "[;59], [;69], [;77], [;112], [;163]
"John Jones, "[;12], [;14], [;22], [;110], [;117]
"John of Paris, "[;15]
Johnston, T. B., [;45];
extended mention, [;61], [;73], [;92], [;160], [;167]
Jonson, Ben, [;75], [;76]
Jordan, Geo., [;45], [;71];
extended mention, [;74], [;75], [;97]
Kean, Edmund, [;6], [;7], note, [;142]
Kemble, J. P., [;141]
Kent, England, [;5]
"Kill and Cure, "[;23], [;114]
"King's Gardener, " the, [;114]
"Kiss in the Dark, " a, [;113]
Knowles, J. Sheridan, [;10]
"Ladies' Man, " the, [;12], [;14], [;116]
"Lady of Lyons, " the, [;114]
"Lancers, " the, [;115]
"Last Man, " the, [;52]
"Laughing Hyena, " the, [;112]
"Laugh When You Can, "[;98], [;115]
Laura Keene's Theatre, [;101]
"Leap Year, "[;36], [;112]
"Led Astray, "[;132]
"Lend Me Five Shillings, "[;116]
Leonard and Church Sts. Theatre, [;24]
Lester, J. W. (see Lester Wallack)
Lewis, W. T., [;166]
Library, Mr. Burton's, [;181] et seq.
"Life Among the Players, "[;114]
List of Characters, [;111]-117
Liston, J., [;6], [;11], [;41], [;125], [;144], [;168]
"Little Toddlekins, "[;84]
"Loan of a Lover, "[;113]
London, England, [;3], [;5], [;9], [;10], [;11], [;17], note, [;41]
"London Assurance, "[;113]
Longfellow, H. W., [;124]
"Lottery Ticket, " the, [;5], [;8], note, [;9], [;14], [;113]
"Love Chase, " the, [;113]
"Love in a Village, "[;114]
"Love in Humble Life, "[;114]
"Love in a Maze, "[;116]
"Lucia di Lammermoor, "[;33]
"Lucy Did Sham Amour, "[;36]
"Macbeth, "[;117]
"Macbeth Travestie, "[;114]
Macready, W. C., [;37]
"Maidens, Beware, "[;36]
Malvina, Miss (see Mrs. W. J. Florence)
"Man of Many Friends, "[;116]
"Married an Actress, "[;115]
"Married by Force, "[;115]
"Married Life, "[;13], [;113]
"Masks and Faces, "[;81], [;112], [;163]
Mathews, Chas. (elder), [;3]
Mathews, Chas. (younger), [;45], [;46], [;84], [;131]
Maywood & Co. (managers), [;9], [;13]
Mechanics Hall, Hamilton, Canada, [;110]
"Merchant of Venice, " the, [;13], [;98], [;112]
"Merry Wives of Windsor, " the, [;77], [;84], [;95], [;111], [;175]
Metropolitan Theatre (see Burton's New Theatre)
"Midnight Watch, " the, [;114]
"Midsummer-Night's Dream, " a, [;75], [;76], [;80], [;95];
extended mention, [;96], [;112], [;171]
"Miller's Maid, " the, [;83]
"Mind Your Own Business, "[;117]
Mississippi River, [;20]
Mitchell, Maggie, [;97]
"Money, "[;113], [;163]
"Mormons, " the, [;115]
Morton, J. M., [;131]
"Mrs. Bunbury's Spoons, "[;117]
"Much Ado About Nothing, "[;13], [;114]
"Mummy, " the, [;14], [;112];
extended mention, [;134] et seq.
Munden, J. W., [;11], [;54]
"My Awful Dad, "[;67]
"My Fellow Clerk, "[;116]
"My Wife and Umbrella, "[;115]
"Naiad Queen, " the, [;24], [;25], [;113]
Napoleon, town, [;20], [;21], [;22]
National Theatre, Leonard St., N. Y., [;22], [;23]
National Theatre, Phila. (formerly Cooke's Circus), [;24]
"Nature's Nobleman, "[;114], [;163];
extended mention, [;168] et seq.
Neilson, Adelaide, [;80]
"New Way to Pay Old Debts, " a, [;116]
New York, [;3], [;11], note, [;22], [;24], [;25], [;27], [;28], [;29], [;33], [;35], [;37], [;38], [;39], [;42], [;43], [;47], [;53], [;55], [;63], [;67], [;71], [;88], [;91], [;98], [;101], [;103], [;148], [;152], [;179]
"New York in Slices, "[;36]
Niblo's Garden, [;23], [;99], [;103]
"Nice Young Man, " a, [;115]
"Nicholas Nickleby, "[;83], [;85], [;93], [;113]
Norton, W. H., [;45], [;71], [;85];
correspondence with Burton, [;85], note
Norwich, England, [;5]
"No Song No Supper, "[;14]
"Not So Bad As We Seem, "[;117]
"Now-a-days, "[;114]
"Old Guard, " the, [;49]
"Old Heads and Young Hearts, "[;115]
"Oliver Twist" (play), [;93], [;113], [;160], [;161]
Olympic Theatre, London, [;41], [;85]
Olympic Theatre, N. Y., [;38], [;97]
"One-Hundred-Pound Note, "[;116]
"Ours, "[;132]
"Our Set, "[;115]
Palmo, Ferdinand, [;33]
Palmo's Opera-House, [;27], [;33]
Pardey, H. O., [;168]
"Paris and London, "[;49], [;113], [;163]
Park Theatre, [;23], [;25], [;37], [;38], [;39]
Parsloe, C., Jr., [;45], [;85], [;86]
Parsons, Thos. Wm., poem of, [;47], [;48]
"Patrician and Parvenu, "[;23], [;117]
"Paul Pry, "[;50], [;72], [;94], [;113];
extended mention, [;144] et seq.
Pavilion Theatre, London, [;6], [;9]
"Peep from the Parlor Windows, "[;114]
Pelham, Miss, [;10]
Perry, H. A., [;98]
Phelps, H. B., preface, [;89]
Philadelphia, [;9], [;10], [;11], [;12], [;24], [;26], [;27], [;28], [;29], [;34], [;35], [;37]
"Pickwickians, " the, [;94], [;113]
Placide, Henry, [;24], [;38], [;45];
extended mention, [;48] et seq., [;51], note, [;92], [;111], [;147], [;167]
Placide, Thomas, [;24]
"Player's Plot, "[;115]
"Pleasant Neighbors, "[;114]
"Ploughman Turned Lord, " a, [;83]
"Pocahontas; or, The Gentle Savage, "[;64]
Poe, E. A., [;16], [;19]
Poole, John, [;144]
"Poor Gentleman, " the, [;9], [;13], [;53], [;72], [;73], [;77], [;82], [;87], [;111], [;162], [;166]
"Poor Pillicoddy, "[;112]
"Poor Scholar, " the, [;115]
Povey, Jno., [;38]
Power, Tyrone, [;14]
"Pride Must Have a Fall, "[;115]
"Prince's Frolic, " the, [;114]
Providence Theatre, [;24]
"Raising the Wind, "[;36], [;116]
Raymond, J. T., [;92], [;132], [;142]
Raymond, Miss, [;45]
Raymond, O. B., [;61]
Rea, Mrs., [;45]
Recollections of Burton's acting, [;121]-176
Reeve, John, [;14]
"Rent Day, " the, [;114]
"Review, " the, [;113]
Richings, Peter, [;23], [;38]
"Rip Van Winkle, "[;132]
"Rivals, " the, [;9], [;10], [;13], [;87], [;99], [;112], [;162]
"Road to Ruin, " the, [;13], [;51], [;54], [;72], [;74], [;88], [;112], [;162], [;165]
"Robert Macaire, "[;112]
Robertson, Agnes, [;45], [;46], [;47], [;90], [;98]
Robertson, T. W., [;132]
Robson, Stuart, [;92]
"Rosedale, "[;132]
Rowe, Fawcett, [;92]
Russell, Mrs. (née Shaw; Mrs. Hoey), [;45], [;46];
extended mention, [;62], [;63], note
Sandy Hill, N. Y., [;90]
Sartain, J., engraver, [;9]
"School, "[;132]
"School for Grown Children, "[;115]
"School for Scandal, " the, [;13];
cast of, [;37], [;113], [;132], [;163]
"School for Tigers, " a, [;47], [;73]
"School of Reform, " the, [;82]
"Secrets Worth Knowing, "[;114]
"Self, "[;112]
"Serious Family, " the, [;86], [;94], [;98], [;112];
extended mention, [;152] et seq.;
incident, [;153];
story, [;155], [;156]
Setchell, D., [;45], [;101]
Shakespeare, [;29], [;78], [;96], [;97], [;100], [;122], [;123], [;134], [;172], [;179], [;180], [;181], [;182]
Shaw, Miss (see Mrs. Russell)
Shaw, Mrs., [;38]
Sheridan, R. B., [;9], [;64], [;164]
"She Stoops to Conquer, "[;13], [;112], [;132], [;162]
"Siamese Twins, " the, [;140]
"Simpson & Co., "[;113]
Simpson, Edmund, [;37]
Skerrett, Mrs., [;45]
"Sketches in India, "[;14], [;113]
"Slasher and Crasher, "[;112]
"Slave Actress, " the, [;115]
Smith, Sydney, [;129]
"Socialism, "[;114]
"Soldier's Daughter, " the, [;11], [;94], [;97], [;116]
Sophocles, [;22]
Sothern, E. A., [;132], [;142]
Southwick, S., [;90]
"Spectre Bridegroom, " the, [;116]
"Speed the Plough, "[;13]
"Sphinx, " the, [;114]
"Spitfire, " the, [;116]
"Spring and Autumn, "[;23], [;116]
"Stag Hall, "[;115]
"State Secrets, "[;112]
"St. Cupid, "[;117]
"Still Waters Run Deep, "[;75], [;113]
Stone, H. D., preface, [;51], note
St. Paul's School, [;3]
"Stranger, " the, [;113]
"Such As It Is, "[;114]
Sussex, England, [;5]
"Sweethearts and Wives, "[;13], [;23], [;112]
"Take That Girl Away, "[;112]
Taylor, Mary, [;38], [;45], [;60], [;66];
extended mention, [;91], [;98], [;169]
"Tempest, " the, [;75], [;81], [;95], [;112], [;175]
"Temptation, "[;114]
Tennyson, Lord, [;97]
"That Blessed Baby, "[;140]
Theatres:
American, Phila., [;20]
Arch Street, Phila., [;9], [;13], [;26]
Astor Place Opera-House, [;97]
Boston, [;102]
Broadway, [;38], [;67], note
Brougham's Lyceum, N. Y., [;60].
Burton's, Chambers St., [;27], [;29], [;34], [;36], [;39], [;40], [;42], [;44], [;47], [;56], [;63], [;74], [;85], [;88], [;93], [;97], [;99], [;149], [;168], [;169], [;172], [;175]
Burton's New (Metropolitan), [;88], [;99], [;100], [;101], [;102]
Castle Garden, [;98]
Chatham, N. Y., [;97]
Chatham Garden, N. Y., [;53]
Chestnut Street, Phila., [;13], [;15], [;26]
Cooke's Circus, Phila., [;24]
Covent Garden, London, [;166]
Ford's, Boston, [;37]
Front St., Baltimore, [;26]
Haymarket, London, [;6]
Laura Keene's, [;101]
Leonard and Church Sts., N. Y., [;24]
Mechanics' Hall, Hamilton, Canada, [;110]
National, Leonard St., N. Y., [;22], [;23]
National, Phila., [;24]
Niblo's Garden, [;23], [;99], [;103]
Olympic, London, [;85]
Olympic, N. Y., [;38], [;97]
Palmo's Opera-House, [;27], [;33]
Park, N. Y., [;23], [;25], [;37], [;38], [;39]
Pavilion, London, [;6]
Providence, [;24]
Tripler Hall, N. Y., [;99]
Union Square, N. Y., [;132]
Wallack's Lyceum, [;64], [;70]
Wallack's, [;54], [;132]
Washington, [;26]
"The Cork Leg, " song, [;12]
Thompson, L. S., [;45];
extended mention, [;82]-84
"Three and Deuce, "[;15]
"Tom Noddy's Secret, "[;112]
"Toodles, " the, [;94],
[;112], [;152];
extended mention, [;156]
"To Parents and Guardians, "[;49], [;113]
Toronto, Canada, [;103]
Tripler Hall, N. Y., [;99]
"Turning the Tables, "[;116], [;140]
"Turnpike Gate, " the, [;116]
"Twelfth Night, "[;49], [;77], [;78], [;95], [;112], [;174]
"Twice Killed, "[;114]
"Two Bonnycastles, " the, [;112]
"Two Buzzards, " the, [;116]
"Two Orphans, " the, [;132]
Union Square Theatre, [;132]
United States Bank, [;24]
"Upper Ten and Lower Twenty, "[;116]
"Used Up, "[;67], note.
Van Buren, Martin, President, [;20]
"Vanity Fair, "[;117]
"Venice Preserved, "[;15]
"Vicar of Wakefield, " the, [;114]
Walcot, C. M., [;38], [;64]
Walcott, Mrs., [;97]
Wallack, Fanny, [;45], [;161]
Wallack, J. W. (elder), [;14], [;15], [;16], [;22], [;23], [;25], [;46]
Wallack, Lester, [;45], [;51];
extended mention, [;65] et seq., [;67], note, [;72], [;74], [;75], [;78], [;92], [;175]
Wallack's Lyceum, [;64], [;70]
Wallack's Theatre, [;54], [;132]
"Wall Street, "[;115]
"Wandering Minstrel, " the, [;112], [;133], [;139]
"Wanted, [;1], 000 Milliners, "[;113];
extended mention, [;137] et seq.
Washington Theatre, [;26]
"Water Party, " the, [;23], [;114]
Watson, Miss, [;15]
Watson, Mrs., [;15]
"Way to Get Married, " the, [;68]
Wemyss, F. C., preface, [;15], [;25], [;33], [;125]
"West End, " the, [;68]
Weston, Lizzie, [;45], [;46], [;68], [;169]
"Wheel of Fortune, " the, [;77]
White, R. W., [;80], [;172]
"Widow Machree, " song, [;90]
"Widow's Victim, " the, [;112]
"Wild Oats, "[;67], [;117], [;162]
Williams, Mrs. Barney, [;47]
Windsor, England, [;5]
Winstanley, Mrs., [;38]
"Winter's Tale, "[;95], [;98], [;175]
Winter, Wm., [;28]
"Witch Wife, " the, [;115]
Wood, Wm. B., preface, [;14], [;34]
Woodworth, Sam'l, poet, [;22]
Wynne, James, M.D., [;181]
"Young Actress, " the, [;47], [;90]
Young, Mrs. (see Mrs. Hughes)
"Young Quaker, " the, [;115]
"You're Another, "[;116]
"Youthful Days of Louis XIV., "[;117]
Transcriber's Note
Variations in spelling, punctuation and hyphenation have been retained except in obvious cases of typographical errors.
FOOTNOTES:
[1] Dr. Doran, in his "Annals of the Stage," referring to Kean in various parts, says: "Among these, Sir Giles stands pre-eminent for its perfectness, from the first words, 'Still cloistered up,' to the last convulsive breath drawn by him in that famous one scene of the fifth act, in which, through his terrible intensity, he once made so experienced an actress as Mrs. Glover faint away,—not at all out of flattery, but from emotion."
[2] First produced, May, 1833.
[ [3] Wormwood, in "The Lottery Ticket."