Soldier silhouettes on our front

by William L. Stidger

Those who have seen Rheims know that the best reproduction of its ruins has been conveyed by the simple silhouette of the artist. There it stands outlined against the sky. Rheims that was once the wonder of the world is now naked ruins, tottering walls, with its towers still standing, looming against the sky like tottering trees. And when, during the past year, the walls fell, they:

"Left a lonesome place against the sky"

of all the world.

The church at Albert was like that. Only a silhouette can describe or picture it. There it stood against the sky by day and night, with the figure on its top leaning. The old legend of the soldiers that when the figure of the Virgin fell to the earth the war would end has been dissipated, for during the last drive that figure fell, and the tower with it. But forever (although it has fallen to dust and debris, because of descriptions we have seen of it) it shall stand out in our memories like a lonely, toppling tree against a crimson sunset!

Every day on the Toul line we used to drive through a village that had been shelled until it was in ruins. Only the tower and the walls of a beautiful little church remained. Every other house in the village was razed to the ground. Nothing else remained.

There it stands to this day, for when I saw it last in June it was still standing as it was in January. Every evening about sunset we used to drive down that way, taking supplies to the front-line huts. Many things stand out in one's memory of a certain road over which he drives night after night and day after day. There is the cross at the forks of the roads. There is the old monastery, battered and in ruins, that stood out like a gaunt ghost of the vandal Hun. There was the little God's acre along the road which we passed every day. There were always the observation-balloons against the evening sky. There were always the fleet-winged birds of the air outlined against the evening. There were always the marching men and the ambulance trains. But standing out above them all, etched with the acid of regret and anger and horror, stood that lonely tower. Night after night we approached it with a beautiful sunset off to the west where the Germans lay buried in their trenches. Coming back from the German lines we would see this church-tower outlined against the crimson sky like a finger pointing God-ward, and declaring to all the world that the God above would avenge this silent, accusing Silhouette of Sacrilege.

There has been a good deal of discussion over a certain book entitled "I Accuse." I never saw that finger pointing into the sky as we drove through this village that it did not cry out to the heavens and across the short miles to the German Huns, looking down, as it did, at its feet where the ruined homes lay, the village that it had mothered and fathered, the village that had worshipped within its simple walls, the village that had brought its joys and sorrows there, the village that had buried the dead within its shadows, the village that had brought its young there to be married and its aged to be buried; there it stood, night after night, against the crimson sky sometimes, against the golden sky at other times; against the rose, against the blue, against the purple sunsets; and ever it thundered: "I accuse! I accuse! I accuse!"

Then there is that Silhouette of Sacrilege up on the Baupaume Road. This is called "the saddest road in Christendom," because more men have been killed along its scarred pathway than along any other road in all the world. Not even the road to Calvary was as sad as this road.

Along this road when the French held it, during the first year of the war, they gathered their dead together and buried them in a little cemetery. Above the sacred remains of their comrades these French soldiers erected a simple bronze cross as a symbol not only of the faith of the nation, but a symbol also of the cause in which they had died.

A few months later when the Germans had recaptured this spot, and it had been fought over, and the bronze cross still stood, the Hun, too, gathered his dead together and buried them side by side with the French. Then he did a characteristic thing. He got a large stone as a base and mounted a cannon-ball on top of this stone, and left it there, side by side with the French cross.