Beside the dead woman’s chair was lying a handkerchief, a tiny square of lawn and lace, which I picked up. It emitted an odour very sweet and subtle, such as I had never before smelt.
Patterson sniffed it, but placed it down.
“Some new scent,” he said. “Women are always going in for the latest inventions in perfumes.”
“But this is an extraordinary one,” I said, again smelling it. “Terribly strong, too,” I added, for the odour had a strange, half-intoxicating effect upon me. The small red light steadily burning, the fragrance of the incense, the two dead forms lying there, still and cold, and the single gas-burner, hissing as it flared, combined to present a weird, lurid picture, each detail of which has ever since been indelibly photographed upon my memory.
The smile of death upon that woman’s lips was horrible. That look of hers has ever since haunted me, for now that I know the truth and have realised all that had taken place in that room prior to the tragedy, that laugh of derision has a significance which renders its recollection bitter, gruesome, hideous.
I know not what prompted me at that moment, but bending again beside the prostrate man I placed my hand inside his vest, recollecting that sometimes tailors, adopting the French mode, made pockets there, and that therein many men carried articles of value in secrecy and safety.
As I did so, I felt that there was a pocket in the lining, that it was buttoned, and that there was something within. Quickly I unbuttoned it and drew forth a small packet wrapped in glazed writing-paper, dirty and worn through being carried for a long time. With care I opened it, and inside found an object which caused us both to give vent to an ejaculation of wonder.
It was simply a penny.
“His mascot, I suppose,” remarked the inspector. “A lucky coin.”
“But it has no hole through it,” I observed.