Nothing was locked, and five minutes sufficed to show us that no attempt had been made to conceal anything in any of the two chests of drawers, or in the wardrobe. So thoroughly did Boyd search that in each room he went around the wainscoting, tapping it with the jemmy and examining any part which appeared to be loose or movable. The next room, apparently Lady Glaslyn’s room, with a small dressing-room adjoining, we searched with redoubled energy, but beyond establishing the fact that her ladyship was not in want of money by the finding of three five-pound notes placed carelessly in an unlocked drawer, there was nothing to arouse our curiosity.
Adjoining the dressing-room, with its window overlooking the road, was a small but elegant apartment upholstered in pale-blue, quite a luxurious little room with a piano; evidently a boudoir. The carpet was so thick and rich that our feet fell noiselessly, while near the window was a handsome Louis XV escritoire inlaid with various woods and heavy mountings of chased ormolu. A pretty cosy-corner occupied the angle beside the tiled hearth, while the little bamboo table with its small shelves spoke mutely of cosy five-o’clock tea often served there.
“I wonder what’s in this?” Boyd said, advancing to the escritoire while his assistant lit the gas.
Finding it locked, my friend bent, examined the keyhole carefully, and then commenced to ply the various skeleton keys. For some time he was unsuccessful, but at length the lock yielded and he opened it. Then, while the local officer took the dark lantern and went along the corridor to explore what further rooms there were, and their character, Boyd and I proceeded to carefully examine every paper, letter or document the escritoire contained. Some letters were addressed to Lady Glaslyn, others to Eva, but most of them were ordinary correspondence between relatives and friends, while the folded documents were receipted bills, together with a file of papers relating to some action at law regarding property near Aberdeen.
Behind the receptacle in which we found these letters was a panel which Boyd at once declared concealed some secret drawers, and being well versed in all the contrivances of cabinet-making, he very soon discovered the means by which the panel could be released. As he had predicted, its removal disclosed three small drawers.
To the first I gave my attention, while he took out the contents of the second. The letters, of which there were seven or eight, secured by an elastic band, I took out and read, being puzzled greatly thereby. They were all type-written and bore the post-mark “London, S.E.” The first had been received about three months before, the last as recently as a fortnight ago. They were very friendly, commencing “Dear Eva,” and although the writer was apparently extremely intimate, there was, however, not a word of love, a fact which gave me some satisfaction. They all, without exception, contained a most mysterious reference to “the Silence,” in terms extremely guarded and curious, one urging the utmost caution and declaring that a grave peril had unexpectedly arisen which must, at all hazards, be removed. The writer did not appear to be a very educated person, for in many places there were mistakes in spelling, while all were devoid of both address or signature, bearing only the single initial “Z.”
I passed them over to Boyd, asking his opinion, and as he sat at the writing flap reading them we were both suddenly startled by hearing a plaintive cry near us. It was a poor lean cat, who had accidentally been shut up there and was undoubtedly starving.
“These letters are very strange,” Boyd observed, looking up at me. “I wonder to what the silence refers?”
“I don’t know,” I said. “There’s evidently some very good reason that they’ve been concealed here.”