An Observer in the Near East

by William Le Queux

Within the enclosure I found a great crowd of peasant women; females of the town, veiled with gauze so fine that one could almost see their faces; Scutarine men in their best jackets and baggy trousers; and the swaggering, white-capped warriors from the mountains, men of the Miriditi,—so dreaded by the Turks that they are allowed to carry their rifles with them,—of the fierce Skreli, the Hoti, and the Kastrati.

The Skreli, with the Miriditi, are allowed to carry their rifles because the Turks hold them in fear. The authorities know full well that to arouse their ire would be to bring destruction upon the whole vilayet, for they hold the communications, and if the tribes revolted, as they no doubt would, then the army of the Sultan would have a very hard task to suppress the rebellion.

So while the Kastrati and the Hoti—also dwellers in the Mountains of the Accursed—the Klementi, the Shiala of the foot-hills, and the others are compelled to leave their rifles at the entrance to the town, the Skreli and the Miriditi stalk along in armed bands of twenty or thirty through the streets to the church, grinning defiance at the Turks, who are supposed by Europe to be their masters.

Under the trees around the Cathedral the wild, fierce men, who would hold the traveller to ransom or shoot him with less compunction than they would kill a shepherd-dog, were squatting in rings with their rifles before them, gossiping. Every man wore a belt full of cartridges and a bandolier across his shoulders—sometimes even two. War and religion are strangely mixed in Skodra.

Into the dimly-lit Cathedral I managed to squeeze, and there, kneeling on the stones and filling the whole place right out into the grass enclosure, were men of all grades, from the peaceful Scutarine merchant to the wild tribesman, and women with their faces uncovered bowed towards the brilliantly lit altar, where the thin-faced Italian priest mumbled the prayers.

The sight was strangely impressive; the silence unbroken save for the low voice of the priest and now and then the clank of arms.

For two days in the year, to celebrate the Christian festival, the brigand tribes from the mountains come down, notwithstanding that upon the heads of many of those sinister-looking men before me the Turks had long ago set a price. I stood gazing at that kneeling throng, to whom, though devout and humble in God’s house, murder was deemed no wrong.

The service ended, a great procession was formed, and headed by four fine stalwart men of the Skreli with loaded rifles, made a slow tour from the altar outside and round the enclosure, while an orchestra in a band-stand opposite played selections. The sight was curious—those armed men ready to protect their priests in case of sudden onslaught by the Turks.

During the whole morning I took many photographs, and in the afternoon, when I returned, I found the orchestra playing operatic music, which was being listened to by the tribesmen with marked attention. They are, I afterwards found, devoted to music. The programme ranged from selections from La Bohème and Carmen to the “Segovia” valse and our old melodious friend, “The Honeysuckle and the Bee.” The latter air quickly became popular among the tribesmen, who picked it up and began at once to whistle it.