“The temple is hewn in the solid rock—a temple about the size of Westminster Abbey in London. In the Holy of holies are four more seated figures in the darkness, and to-morrow as we stand in there at dawn, the sun, as it rises, will shine in at the temple door and gradually light up the faces of those images, until they glow and seem to become living beings—surely the most impressive sight of all the wonders of Egypt.”
“I am longing to see it,” replied the girl, her eyes fixed in fascination at the far-off colossi seated there gazing with such calm, contented expression over the Nile waters, now blood-red in the still and gorgeous desert sunset.
On the arid banks there was no sign of life, or even of vegetation. All was desert, rock, sand, and desolation. Where was the great, palpitating civilisation which had existed there in the days of Rameses, the cultured world which worshipped the great god, Ra, in that most wonderful of all temples? Gone, every trace save the place where the sun god was worshipped, swept out of existence, effaced, and forgotten.
Over the vessel a great grey vulture hovered with slowly flapping wings. Then from the bows came a low chant, and the passengers craning their necks below, saw that the black-faced crew had turned towards Mecca and sunk upon their knees, including even the gorgeous Boulos himself, and with many genuflexions were adoring Allah.
“Allah is great. Allah is merciful. He is the One,” they cried in their low, musical Arabic. “There is no god but Allah!”
The sun sank and twilight came swiftly, as it does in the glowing, mystic East. And the white-bearded reis, his prayers finished, pushed on the steamer more quickly so as to anchor opposite Abu Simbel before darkness fell. The excitement among the passengers grew intense, for, on the morrow, ere the first pink of the dawn, the travellers were to stand within that rock-hewn temple, the most wonderful of all the works of the Pharaohs.
The evening proved a merry one, for after dinner, with the vessel anchored in mid-stream—to obviate thieves—opposite the great temple, the Nubian crew gave a fantasia, or native song and dance, for the benefit of the travellers.
On each trip from Shellal to Wady Haifa this was usual, for European travellers like to hear the weird native music, and the crooning desert songs in which Allah is praised so incessantly. Besides, a collection is made afterwards, and the sturdy, hard-working crew are benefited by many piastres.
On the lower deck, beneath the brilliant stars the black-faced toilers of the Nile beat their tom-toms vigorously and chanted weirdly while the passengers stood leaning over, watching and applauding. The crew squatted in a circle, and one after the other sprang up and performed a wild, mad dance while their companions kept time by clapping their hands or strumming upon their big earthenware tom-toms.
Then at eleven, the hour when the dynamos cease their humming and the electric light goes out, the concert ended with all the crew—headed by the venerable, white-bearded old pilot—standing up, salaaming and crying in their broken English: