The great steps were high and steep, and the ascent long and tedious. Once or twice we halted to regain breath, then panting on again, climbed higher and yet higher towards the most gigantic and wonderful palace in the world. Half-way up I turned, and saw the immense city of Ea, full of bright lights and gaiety, lying deep below, while beyond was a background of towering, snow-capped mountains, looking almost fairylike under the brilliant moon.

So extraordinary was the scene, and of such colossal proportions was the palace, that I felt inclined to doubt my own eyes; yet it was no dream. I was actually in Ea, approaching a structure, the mere, fantastically-sculptured façade of which was of such height and magnitude that, even though my eyes were dazzled, I marvelled at the many slaves who had doubtless been engaged in its construction.

At last, gaping and bewildered, I stood upon the great paved area before the gigantic entrance, on either side of which were colossal winged bulls sculptured from white alabaster. Ere we were allowed to proceed we were compelled to again exhibit the strange clay cylinder, and then were permitted to pass between the enormous bulls, finding ourselves in a vast hall lit by flaming braziers. Upon the alabaster walls were the sculptured records of the empire. Battles, sieges, triumphs, the exploits of the chase, the ceremonies of religion were there portrayed, delicately sculptured and painted in bright colours. Beneath each picture was engraved, in characters filled up with bright copper, inscriptions describing the scene represented. Above these sculptures were painted other events—monarchs, attended by eunuchs and warriors, receiving their prisoners, entering into alliances with other monarchs, or performing some sacred duty. The emblematic tree, similar to the one I had discovered upon the tablet of Semiramis, winged bulls and monstrous, eagle-headed animals were conspicuous among the ornaments of the coloured borders enclosing these strange wall-pictures. At the upper end of the hall was a colossal statue of a queen, evidently Semiramis herself, in adoration before the supreme deity, her robes being adorned by lines of arrowheads, groups of figures, animals and flowers, all painted in brilliant hues, a group of white-robed women praying before her. Several doorways, formed by gigantic winged horses and lions, or human-headed monsters, led into other apartments, in each of which were more sculptures, while the alabaster slabs upon which we trod each bore an inscription recording the titles, genealogy and achievements of some monarch of past ages.

It was indeed an entrance of amazing magnificence, with ceiling of massive beams of dull gold, but mere stupendous still were the many vast apartments through which I was ushered. Elegant women of the court, unveiled, reclining on couches, and attended by slaves who slowly fanned them, gazed at us languidly as we passed, and from some of the great chambers there came sounds of stringed instruments and cymbals where women were revelling and dancing. At each door were stationed four warriors, wearing breastplates of gold, and standing motionless, with drawn blades, while above the entrances the brazen sign of the deity was invariably suspended by a chain.

The palace was bewildering in magnificence, amazing in extent.

At last, turning suddenly to the right, we entered a small chamber crowded by courtiers, soldiers and slaves, who, however, spoke only in hushed tones. Here our appearance caused the utmost consternation, and the men drew back, as if fearing that my touch might contaminate them. Two courtiers, however, emerged from the crowd, and, having held a conversation with my guides in an undertone, they produced under-robes of linen, a rich outer garment of green silk, and sandals such as they themselves wore. By signs they commanded me to assume them, and when I had discarded my old, dirty and tattered gandoura, and attired myself in their strange dress, I paused, wondering what strange adventure would next befall me.

Great curtains of yellow silk, upon which hideous monsters had been embroidered, hid the opposite entrance, which was guarded by a body of twelve armed men, whom I knew to be eunuchs by their clean-shaven faces and curious, golden head-dresses.

Suddenly four trumpeters—two stationed on either side—raised their enormous horns of gold, and with one accord blew three ear-piercing blasts, at sound of which all present bowed low in the direction of the curtains, an example which my guides motioned me to follow.

As we did so the great silken hangings slowly parted, revealing a scene so unexpected and dazzling that I stood agape in stupefaction. It was marvellous, incredible, astounding; its brilliancy caused my bewildered eyes to blind; its striking splendour filled me with amazement. I stood lost in wonder; held in fascination.