THE SHADOW OF MOLOCH.
ar! War in England!
Growled by thoughtful, stern-visaged men, gasped with bated breath by pale-faced, terrified women, the startling news passed quickly round the Avenue Theatre from gallery to boxes. The crisis was swift, complete, crushing. Actors and audience were appalled.
Though it was a gay comic opera that was being performed for the first time, entertainers and entertained lost all interest in each other. They were amazed, dismayed, awestricken. Amusement was nauseating; War, with all its attendant horrors, was actually upon them! The popular tenor, one of the idols of the hour, blundered over his lines and sang terribly out of tune, but the hypercritical first-night audience passed the defect unnoticed. They only thought of what might happen; of the dark cavernous future that lay before.
War had been declared against Britain—Britain, the Empire that had so long rested in placid sea-girt security, confident of immunity from attack, was to be invaded! The assertion seemed preposterous.
Some, after reading eagerly the newspapers still damp from the press, smiled incredulously, half inclined to regard the startling intelligence as a mere fabrication by alarmists, or a perfected phase of the periodical war-scare which sensational journalists annually launch upon the world during what is technically known as the "gooseberry" season.
Other readers, however, recollecting the grave political crises on the Continent, set their teeth firmly, silent and dumfounded. Upon many merchants and City men the news fell like a thunderbolt, for financial ruin stared them in the face.
Evidently a desperate attempt would be made by the enemy to land on English soil. Already the startled playgoers could hear in their excited imagination the clash of arms mingling with the triumphant yell of the victor, and the stifled, despairing cry of the hapless victim. But who, they wondered, would be the victim? Would Britannia ever fall to the dust with broken trident and shattered shield? Would her neck ever lie under the heel of the foreign invader? No, never—while Britons could fight.
The theatre, in its garish blaze of electricity, and crowded with well-dressed men and women, presented a brilliant appearance, which had suddenly become strangely incongruous with the feelings of the audience. In the boxes, where youth and beauty smiled, the bouquets which had been provided by the management gave to the theatre a bright, artistic touch of colour. Yet the pungent odour they diffused had become sickening. Intermingled with other flowers there were many tuberoses. They are funereal blossoms, ineffably emblematic of the grave. There is death in their breath.