Often she sat at her little window for hours watching the lethargy of village life in the street below, that rural life in which the rector and the schoolmaster were the principal figures. The dullness of it all was maddening. Her aunt's mid-Victorian primness, her snappishness towards the trembling maid, and the thousand and one rules of her daily life irritated her and jarred upon her nerves.
So, in order to kill time, and at the same time to study the antiquities of the neighbourhood—her father having taught her so much deep antiquarian knowledge—it had been her habit for three months past to take long walks for many miles across the country, accompanied by the black collie Rover belonging to a young farmer who lived at the end of the village. The animal had one day attached itself to her while she was taking a walk on the Apethorpe road; and now, by her feeding him daily and making a pet of him, the girl and the dog had become inseparable. By long walks and short train-journeys she had, in three months, been able to inspect most of the antiquities of Northamptonshire. Much of the history of the county was intensely interesting: the connection of old Fotheringhay with the ill-fated Mary Queen of Scots, the beauties of Peterborough Cathedral, the splendid old Tudor house of Deene (the home of the Earls of Cardigan), the legends of King John concerning King's Cliffe, the gaunt splendour of ruined Kirby, and the old-world charm of Apethorpe. All these, and many others, had great attraction for her. She read them up in books she ordered from London, and then visited the old places with all the enthusiasm of a spectacled antiquary.
Every day, no matter what the weather, she might be seen, in her thick boots, burberry, and tam o'shanter, trudging along the roads or across the fields accompanied by the faithful collie. The winter had been a comparatively mild one, with excessive rain. But no downpour troubled her. She liked the rain to beat into her face, for the dismal, monotonous cheerlessness of the brown fields, bare trees, and muddy roads was in keeping with the tragedy of her own young life.
She knew that her aunt Emily disliked her. The covert sneers, the caustic criticisms, and the go-to-meeting attitude of the old lady irritated the girl beyond measure. She was not wanted in that painfully prim cottage, and had been made to understand it from the first day.
Hence it was that she spent all the time she possibly could out of doors. Alone she had traversed the whole county, seeking permission to glance at the interior of any old house or building that promised archaeological interest, and by that means making some curious friendships.
Many people regarded the pretty young girl who made a study of old churches and old houses as somewhat eccentric. Local antiquaries, however, stared at her in wonder when they found that she was possessed of knowledge far more profound than theirs, and that she could decipher old documents and read Latin inscriptions with ease.
She made few friends, preferring solitude and reflection to visiting and gossiping. Hers was, indeed, a pathetic little figure, and the countryfolk used to stare at her in surprise and sigh as she passed through the various little hamlets and villages so regularly, the black collie bounding before her.
Quickly she had become known as "Miss Heyburn's niece," and the report having spread that she was "a bit eccentric, poor thing," people soon ceased to wonder, and began to regard that pale, sad face with sympathy. The whole country-side was wondering why such a pretty young lady had gone to live in the deadly dullness of Woodnewton, and what was the cause of that great sorrow written upon her countenance.
Her daily burden of bitter reflection was, indeed, hard to bear. Her one thought, as she walked those miles of lonely rural byways, so bare and cheerless, was of Walter—her Walter—the man who, she knew, would have willingly given his very life for hers. She had met her just punishment, and was now endeavouring to bear it bravely. She had renounced his love for ever.
One afternoon, dark and rainy, in the gloom of early March, she was sitting at the old-fashioned and rather tuneless piano in the damp, unused "best room," which was devoid of fire for economic reasons. Her aunt was seated in the window busily crocheting, while she, with her white fingers running across the keys, raised her sweet contralto voice in that old-world Florentine song that for centuries has been sung by the populace in the streets of the city by the Arno: