Her glorious voice had lifted her from grinding poverty and obscurity, her quick mentality had enabled her to acquire much, to adapt herself, with more than fair success, to her new environment. But certain traces of her humble origin showed themselves very plainly at times, especially in moments of excitement—vulgarity of gesture, some common terms of speech, picked up from the gutter where she had played with other bare-footed children like herself.
To a man of Corsini’s naturally refined and elevated temperament, these unconscious revelations came as a disturbing shock. And the more intimate he became with her, the more frequently she revealed herself, having no longer occasion to wear a protecting mask.
In a palace or a fashionable drawing-room, with that careful mask on, La Belle Quéro was one personage, most careful as to speech and manner. In her dressing-room, or in familiar intercourse with a fellow artist, not of the great world, only belonging to the aristocracy of talent, she was quite another being, with the solecisms, the occasional coarse flashes of humor, of the Biscayan peasant.
No; although La Belle Quéro was so much nearer to him from the social point of view, for his origin had not been so much more distinguished than her own, he could not feel fascinated, in spite of her obvious liking for him.
Golitzine, who had spies everywhere, in the dressing-rooms of actresses, in the boudoirs of great ladies, knew all there was to know about the friendship of the conductor and the prima donna. Was Corsini taking advantage of his opportunities to acquire the woman’s confidence, so that it might serve his employer’s interest?
But Corsini was only being used as a pawn in the game. He did not even know that he was being used even in this humble capacity. He must have guessed that there were some subtle motives behind this sudden and unexpected preferment; but how could he possibly guess what these motives were?
If the young Italian was going to be made really useful, he would have to be enlightened. Salmoros, in his letter, had made a point of his being kept in the dark, fearful probably of some scruples on his part on being told that he was to play the rôle of a spy.
He, Golitzine, was loath to go against the advice of Salmoros, but astute and shrewd as the financier was, he could not have thought out the situation with his usual judgment. The time had certainly arrived when Corsini must be told frankly the part he was expected to play.
After all, there was nothing in the least dishonourable in what he would be asked to do. Salmoros and the Count between them, with the sanction of the Emperor, had set him on the high road to fame and fortune. Their enemies were a band of traitors, headed by Zouroff, assisted by Madame Quéro. He must and would, in honour bound, prove his allegiance to his benefactors.