Short, although a well-trained servant, was communicative. The shock he had sustained in discovering his master made him so.
After ten years’ service he was devoted to his master, but from the remarks he let drop during our drive I detected that he entertained a strong dislike of the old gentleman’s young wife. He was, of course, well aware of my affection for Ethelwynn, and carefully concealed his antipathy towards her, an antipathy which I somehow felt convinced existed. He regarded both sisters with equal mistrust.
“Does your mistress often remain in town with her friends at night?”
“Sometimes, when she goes to balls.”
“And is that often?”
“Not very often.”
“And didn’t the old gentleman know of his wife’s absence?”
“Sometimes. He used to ask me whether Mrs. Courtenay was at home, and then I was bound to tell the truth.”
By his own admission then, this man Short had informed the invalid of his wife’s frequent absences. He was an informer, and as such most probably the enemy of both Mary and Ethelwynn. I knew him to be the confidential servant of the old gentleman, but had not before suspected him of tale-telling. Without doubt Mrs. Courtenay’s recent neglect had sorely grieved the old gentleman. He doted upon her, indulged her in every whim and fancy and, like many an aged husband who has a smart young wife, dared not to differ from her or complain of any of her actions. There is a deal of truth in the adage, “There’s no fool like an old fool.”
But the mystery was increasing, and as we drove together down that long interminable high road through Hammersmith to Chiswick, wet, dark and silent at that hour, I reflected that the strange presage of insecurity which had so long oppressed me was actually being fulfilled. Ambler Jevons had laughed at it. But would he laugh now? To-morrow, without doubt, he would be working at the mystery in the interests of justice. To try to keep the affair out of the Press would, I knew too well, be impossible. Those men, in journalistic parlance called “liners,” are everywhere, hungry for copy, and always eager to seize upon anything tragic or mysterious.