“Thought I had better stop here till you arrived,” he said as they shook hands, “otherwise I would have come to Horsham Station. But the Forest View people know me now, and I didn’t want one of them to see me talking to a stranger. They might put two and two together.”
The two men ordered some refreshment, and adjourned to the snug little parlour, which was empty.
“No fear of being disturbed here, Smeaton, at this time of day; I know the place well. There will be nobody near for hours, except a passing carter for a glass of beer, and he won’t disturb us.”
“I was glad to have your wire,” said the detective, “for I was beginning to get a bit anxious. For several hours now I have been on the track of what I thought was a warm scent, only to find it a cold one. I’ll tell you about it when you have had your say.”
Varney plunged at once into his narrative. And certainly the story he had to tell was a very thrilling one. The main points were these.
Having been in the neighbourhood for some time, and being of a gregarious disposition, he had picked up a few acquaintances, with whom he indulged in an occasional chat when the opportunity offered.
All these people, he was sure, accepted his own explanation of his presence there, and did not for a moment suspect in the soi-disant artist who rambled about with his sketching materials the young journalist so well-known in Fleet Street.
He had become acquainted with a local doctor, Mr Janson, a man a few years older than himself, who had bought a practice in the neighbourhood quite recently. They had met, in the first instance, at the inn where Varney was staying, the doctor having been called in by the landlady to prescribe for some trifling ailment from which she was suffering.
The two men had exchanged a few commonplace remarks, and bidden each other good-bye. Next day Varney overtook him on the road, and they walked into Horsham together. In the course of their journey a little personal history was exchanged, of course utterly fictitious on the side of the pretended artist.
From the casual conversation there emerged certain facts. Mr Janson was a man of considerable culture, and of strong artistic leanings. More especially was he an ardent worshipper of the Old Masters. For several years his annual holiday had been spent in Italy, for which country, its galleries, and its associations he expressed the most fervent admiration.