As I trod those streets between the Porta Romana and Santa Maria Novella, I confess that I became apprehensive of a nervous breakdown.
That a girl had been wilfully done to death in that West End mansion, and that I had accepted a bribe to aid and abet the assassin, were undeniable facts. The wealthy man evidently believed that, for my own sake and in order to escape prosecution, I would not seek to solve the enigma. Now, as I reflected upon my interview at the Villa Clementini, I realized how artful he was in denying everything, and yet allowing me a loophole for escape. He had mentioned blackmail—an ugly word with ugly consequences—well-knowing that I dare not go to the Metropolitan Police and make any statement of what I had witnessed or of how I had acted.
I still held that five thousand pounds bribe intact. The accursed notes were at the flat at Rivermead Mansions. My position was now untenable. When that night I retired to my room I realized that the situation was hopeless. How could I support any charge against a man who, being a millionaire, could purchase manufactured evidence—as is done every day—just as easily as he could purchase a cigar?
The evidence given in judicial courts in every European capital in cases where the party, either plaintiff or defendant, is well possessed of this world’s goods, is usually tainted. In no place on earth can money work more marvels than in a court of law. Witnesses who make testimony a profession for big fees appear in every Assize court in the world. And some of them are, alas! experts. True it is that every man has his price, and the more so in these hard, post-war days of riot and ruin. Justice and brotherly love departed with the Victorian era. The old game of “Beat-your-neighbour-out-of-doors,” played by our grandfathers, seems to be the only one practised in our modern times.
With such thoughts I fell asleep.
Next day I spent in again wandering the old-world streets of Florence, hoping to obtain another glimpse of Moroni and his fair charge. I went to the Duomo and waited near that side-chapel where I had first seen them. Then, as they did not come, I idled before a café in the Via Calzajoli, and again in the Piazza della Signorina. But I saw nothing of them. That afternoon I spent the winter sunshine in the Cascine, the beautiful wood beside the Arno where the Florentines go each day for the passeggiata, either in their old-fashioned landaus with armorial bearings upon the panels, in modern motor-cars, or on foot. The afternoon, though it was winter, was glorious, even though the cold wind from the snow-tipped Apennines swept sharply down the valley. Yet everyone was wrapped up warmly, and the fresh air was invigorating.
Though I kept my eyes open everywhere, I failed to detect that slim figure in rusty black.
I allowed the following day to pass. Then, at four o’clock in the afternoon, I called at the house of Doctor Moroni in pretence of again consulting him.
Upon the door of the great old house, now converted into spacious flats, was a small, rather tarnished brass plate with the words: “Dr. Moroni, Primo Piano.”
So I climbed the wide stone stairs to the first floor, and rang the bell. My summons was answered by a tall, swarthy, dark-eyed Italian maid, who wore a dainty muslin apron, but no cap—as is the custom in Italy. She was a Piedmontese, for in her hair she wore several of those large pins with round heads of silver filigree placed in a semicircle at the back of her head, until they formed a kind of halo.