But all is silent now! silent the bell,
That, heard from yonder ivied turret high,
Warned the cowled brother from his midnight cell;
Silent the vesper-chant, the litany
Responsive to the organ!—scattered lie
The wrecks of the proud pile, 'mid arches gray,
Whilst hollow winds through mantling ivy sigh!
And even the mouldering shrine is rent away,
Where, in his warrior weeds, the British Arthur lay.
Now look upon the sister fane of Wells!
It lifts its forehead in the summer air;
Sweet, o'er the champagne, sound its Sabbath bells,
Its roof rolls back the chant, or voice of prayer.
Anxious we ask, Will Heaven that temple spare,
Or mortal tempest sweep it from its state!
Oh! say,—shall time revere the fabric fair,
Or shall it meet, in distant years, thy fate,
Shattered, proud pile, like thee, and left as desolate!
No! to subdue or elevate the soul,
Our best, our purest feelings to refine,
Still shall the solemn diapasons roll,
Through that high fane! still hues, reflected, shine
From the tall windows on the sculptured shrine,
Tinging the pavement! for He shall afford,
He who directs the storm, his aid divine,
Because its Sion has not left thy word,
Nor sought for other guide than thee, Almighty Lord!
SILCHESTER, THE ANCIENT CALEVA.[199]
The wild pear whispers, and the ivy crawls,
Along the circuit of thine ancient walls,
Lone city of the dead! and near this mound,[200]
The buried coins of mighty men are found,
Silent remains of Cæsars and of kings,
Soldiers of whose renown the world yet rings,
In its sad story! These have had their day
Of glory, and have passed, like sounds, away!
And such their fame! While we the spot behold,
And muse upon the tale that Time has told,
We ask where are they?—they whose clarion brayed,
Whose chariot glided, and whose war-horse neighed;
Whose cohorts hastened o'er the echoing way,
Whose eagles glittered to the orient ray!
Ask of this fragment, reared by Roman hands,
That, now, a lone and broken column stands!
Ask of that road—whose track alone remains—
That swept, of old, o'er mountains, downs, and plains;
And still along the silent champagne leads;
Where are its noise of cars and tramp of steeds?
Ask of the dead, and silence will reply;
Go, seek them in the grave of mortal vanity!
Is this a Roman veteran?—look again,—
It is a British soldier, who, in Spain,
At Albuera's glorious fight, has bled;
He, too, has spurred his charger o'er the dead!
Desolate, now—friendless and desolate—
Let him the tale of war and home relate.
His wife (and Gainsborough such a form and mien
Would paint, in harmony with such a scene),
With pensive aspect, yet demeanour bland,
A tottering infant guided by her hand,
Spoke of her own green Erin, while her child,
Amid the scene of ancient glory, smiled,
As spring's first flower smiles from a monument
Of other years, by time and ruin rent!
Lone city of the dead! thy pride is past,
Thy temples sunk, as at the whirlwind's blast!
Silent—all silent, where the mingled cries
Of gathered myriads rent the purple skies!
Here—where the summer breezes waved the wood—
The stern and silent gladiator stood,
And listened to the shouts that hailed his gushing blood.
And on this wooded mount, that oft, of yore,
Hath echoed to the Lybian lion's roar,
The ear scarce catches, from the shady glen,
The small pipe of the solitary wren.