PLATE V.—LOVE AND LIFE
(At the Tate Gallery)
Love, strong in his immortal youth, leads Life, a slight female figure, along the steep uphill path; with his broad wings he shelters her, that the winds of heaven may not visit her too roughly. Violets spring where Love has trod, and as they ascend to the mountain top the air becomes more and more golden. The implication is that, without the aid of Divine Love, fragile Human Life could not have power to ascend the steep path upward. First exhibited at the Grosvenor Gallery in 1885. Companion picture to "Love and Death," and "Love Triumphant."
III
A REVIEW OF WATTS' WORK
Failing the "Progress of the Cosmos," we have from the mind and brush of Watts a great number of paintings, which may be grouped according to their character. Such divisions must not be regarded as rigid or official, for often enough a picture may belong to several groups at the same time. For the purpose of our survey, however, we divide them as follows:
1. Monumental or Historical Paintings and Frescoes.