His eyes shifted from the face of one to another, until he had assured himself that all agreed. As Avery left the car, Eaton found a seat in one of the end sections near the drawing-room. Sinclair and the conductor had returned to Santoine. The porter was unmaking the berth in the next section which Santoine had occupied, having been told to do so by Connery; the negro bundled together the linen and carried it to the cupboard at the further end of the car; he folded the blankets and put them in the upper berth; he took out the partitions and laid them on top of the blankets. Eaton stared out the window at the bank of snow. He did not know whether to ask to leave the car, or whether he ought to remain; and he would have gone except for recollection of Harriet Santoine. He had heard the rear door of the car open and close some moments before, so he knew that she must be in the car and that, in the passage at that end, Avery must be telling her about her father. Then the curtain at the end of the car was pushed further aside, and Harriet Santoine came in.
She was very pale, but quite controlled, as Eaton knew she would be. She looked at Eaton, but did not speak as she passed; she went directly to the door of the drawing-room, opened it and went in, followed by Avery. The door closed, and for a moment Eaton could hear voices inside the room—Harriet Santoine's, Sinclair's, Connery's. The conductor then came to the door of the drawing-room and sent the porter for water and clean linen; Eaton heard the rip of linen being torn, and the car became filled with the smell of antiseptics.
Donald Avery came out of the drawing-room and dropped into the seat across from Eaton. He seemed deeply thoughtful—so deeply, indeed, as to be almost unaware of Eaton's presence. And Eaton, observing him, again had the sense that Avery's absorption was completely in consequences to himself of what was going on behind the door—in how Basil Santoine's death or continued existence would affect the fortunes of Donald Avery.
"Is he going to operate?" Eaton asked.
"Operate? Yes; he's doing it," Avery replied shortly.
"And Miss Santoine?"
"She's helping—handing instruments and so on."
Avery could not have replied, as he did, if the strain this period must impose upon Harriet Santoine had been much in his mind. Eaton turned from him and asked nothing more. A long time passed—how long, Eaton could not have told; he noted only that during it the shadows on the snowbank outside the window appreciably changed their position. Once during this time, the door of the drawing-room was briefly opened, while Connery handed something out to the porter, and the smell of the antiseptics grew suddenly stronger; and Eaton could see behind Connery the surgeon, coatless and with shirt-sleeves rolled up, bending over the figure on the bed. Finally the door opened again, and Harriet Santoine came out, paler than before, and now not quite so steady.
Eaton rose as she approached them; and Avery leaped up, all concern and sympathy for her immediately she appeared. He met her in the aisle and took her hand.
"Was it successful, dear?" Avery asked.