The literary venture of Mark Tapley Ainsworth failed to justify the auriferous future that his cousin, the novelist, had prophesied for it. The unfortunate owner was losing over it more money than he could afford. He called on me to announce the sad circumstance. He was as joyous as ever. He laughed merrily as he spoke of his bitter disappointment. I felt it impossible to sympathize with his mood. In my crass ignorance of the publishing world, the death of a magazine was a tragic thing. It affected me almost as the passing away of some eminent man. We lunched over the event (a sort of “wake,” it seemed to me) at the Blue Posts in Cork Street, and the proprietor of the magazine, the decease of which was about to be announced, was in the gayest of spirits. After all, the dear old chap may be excused at exhibiting some feeling of relief. It had been for him, as he cheerily explained, “a matter of always paying out, and never paying in.”

He certainly had not embarrassed himself by paying anything to me. But the regular occupation had been excellent practice, and the immediate ponderable result was the formation of a circle of acquaintances among literary men and artists. We drank, in excellent claret, to the resurrection of the dead periodical. But we honoured the toast as those who have no hope. Mark Tapley and I parted on excellent terms. We walked down the Burlington Arcade, and took leave of each other when we reached Piccadilly. His last word was a jape at the expense of himself and his venture. The last sound I heard of him was a particularly jolly laugh as he ambled off.

This collapse of the Ainsworthian magazine; my “call”; the removal from lodgings in Woburn Place to chambers in the Temple—these may be conveniently taken as roughly marking the end of my informal novitiate. I don’t know whether the habit of giving “call suppers” still persists. I was persuaded that the obligation to invite my friends to one was incumbent on me. The repast was ordered at my chambers for eight, and all my guests turned up. On the other side of Fleet Street, and nearly opposite Middle Temple Lane, was an oyster-house and restaurant called Prosser’s. At that establishment the supper was ordered. I regret to say that I recollect very little of the entertainment. My health was proposed, and a bright career at the Bar foretold for me by a gentleman who is now an ornament of the judicial bench. An artist present drew a picture entitled “Coke upon Littleton,” which evoked roars of laughter by reason of its audacious Rabelaisian humour. And an Hibernian journalist, who is now an English M.P., sang “The Wearin’ o’ the Green.” I replied—coherently—to the toast of my health. After that things became a trifle blurred. Prosser had done me too well.

CHAPTER IV
INTO THE MAELSTROM

A call to the Bar and a residence in the Temple necessitate a somewhat intimate acquaintance with Fleet Street. But, of course, they do not make of one a Fleet Street man in the journalistic meaning of that phrase. Some time was to pass yet ere I could regard myself as free of the street—so to say. The haunts of the Templar are not those of the Pressman. The former, when of an afternoon he quits the “dusty purlieus of the Law,” usually hastens westward. The haunts of the journalist are in Fleet Street itself. Yet it was to barristers, after all, that I owed my initiation into the mysteries of the newspaper world.

In those days a considerable number of young barristers—and some old ones—were more or less dependent on their contributions to the Press for an income. Tired of idling in chambers and

“Beckoning the tardy briefs,
The briefs that never came.”

they had struck boldly off into the whirling, throbbing life that surrounded their quiet cloisters. Among those who were to influence my career at this stage were “Willie” Dixon, son of Hepworth Dixon, the author of “Spiritual Wives” and other books which had a mighty vogue in their day and seem now to be forgotten; Patrick Macdonald, a Scotsman with a knowledge of Law that would have landed him on the Bench had he lived to justify the opinion of the solicitors who “discovered” him too late; and Robert Williams. To the former gentlemen I owed my introduction to the Savage Club, where for a time I became a frequent visitor, though not qualified for membership under their drastic first rule—a rule which has, I understand, become considerably relaxed, in order to give admission to that Mammon of Unrighteousness with which clubmen, among others, are commanded to “make friends.” Here, for the first time, I met some of the practical journalists—the men whose profession it was to feed the palpitating monsters of Fleet Street with their mighty pabulum of “copy.”

But my real introducer was Williams. It was to his influence that I was indebted for my “chance.” His unerring advice, his ungrudging assistance, his fine faith in my aptitude, made the beginning easy for me. Robert Williams was, perhaps, the most remarkable man of his time in the Street of Adventure. He was a Welshman, with but little of the Welsh temperament save the hopefulness characteristic of that race. He was a graduate of Jesus College, Oxford, becoming thereafter a Fellow of Merton. His nickname at the University was “Scholar” Williams, which sufficiently indicates the sort of reputation he had acquired. He was one of the finest Greek scholars of his day. His “Notes on Aristotle” are still regarded as authoritative by examiners. He was, I think, tutor both to Lord Rosebery and Lord Lansdowne. He was a member of the Reform Club before he had ever seen Pall Mall. Lord Rosebery took a great interest in the career of Williams after he left Oxford and had flung himself into Fleet Street, for he married and threw up his Fellowship.

Lord Rosebery’s influence took an extremely practical turn. For instance, he bought the Examiner for Williams. But the “Scholar,” although a very accomplished contributor, had not been cut out by Nature for an editor. This he proved, not only in his conduct of the Examiner, but in the founding and editorial management of a venture which followed. He sold the property which Lord Rosebery had made over to him, and with the proceeds started a weekly illustrated paper called Sketch—to be distinguished from The Sketch belonging to the Ingram group, a much more recent candidate for popular favour. The capital which Williams had acquired by the sale of the Examiner was only sufficient to keep his new venture running for a few weeks. He transferred it to an owner of sporting papers, in whose hands it died the death.