"We're going to follow this drift," explained the superintendent.
They seated themselves in ore cars and were wheeled into a cavern lighted at intervals by electric bulbs. Presently the cars slowed down and the occupants descended.
"This way," ordered Bleyer.
They followed in single file into a hot, damp tunnel, which dripped moisture in big drops from the roof upon a rough, uneven floor of stone and dirt where pools of water had occasionally gathered. The darkness increased as they moved forward, driven back by the candles of the men for a space scarce farther than they could reach with outstretched hands.
Moya, bringing up the rear, could hear Bleyer explain the workings to those at his heel. He talked of stopes, drifts, tunnels, wage scales, shifts, highgrade ore, and other subjects that were as Greek to Joyce and India. The atmosphere was oppressively close and warm, and the oilskins that Moya wore seemed to weigh heavily upon her. She became aware with some annoyance at herself that a faintness was stealing over her brain and a mistiness over her eyes. To steady herself she stopped, catching at the rough wall for support. The others, unaware that she was not following, moved on. With a half articulate little cry she sank to the ground.
When she came to herself the lights had disappeared. She was alone in the most profound darkness she had ever known. It seemed to press upon her so ponderably as almost to be tangible. The girl was frightened. Her imagination began to conjure all sorts of dangers. Of cave-ins and explosions she had heard and read a good deal. Anything was possible in this thousand-foot deep grave. In a frightened, ineffective little voice she cried out to her friends.
Instantly there came an answer—a faint tapping on the wall almost at her ear. She listened breathlessly, and caught again that faint far tap—tap—tap—tap—tap—tap—tap. Instinctively her hand went out, groping along the wall until it fell upon a pipe. Even as she touched this the sound came again, and along with it the faintest of vibrations. She knew that somebody at a distance was hitting the pipe with a piece of quartz or metal.
Stooping, she found a bit of broken rock. Three times she tapped the pipe. An answer came at once.
Tap—tap—tap—tap—tap—tap—tap!
She tried two knocks. Again the response of seven taps sounded. Four blows brought still seven. Why always seven? She did not know, but she was greatly comforted to know that her friends were in communication with her. After all she was not alone.