From reading over his writings, and the biographies which we have of him, amongst which the famous article in the Edinburgh Review[74] may be cited as a magnificent [pg 525] statue of the great writer and moralist of the last age, raised by the love and the marvellous skill and genius of one of the most illustrious artists of our own; looking at that calm, fair face, and clear countenance—those chiselled features pure and cold, I can't but fancy that this great man, in this respect, like him of whom we spoke in the last lecture, was also one of the lonely ones of the world. Such men have very few equals, and they don't herd with those. It is in the nature of such lords of intellect to be solitary—they are in the world but not of it; and our minor struggles, brawls, successes, pass under them.
Kind, just, serene, impartial, his fortitude not tried beyond easy endurance, his affections not much used, for his books were his family, and his society was in public; admirably wiser, wittier, calmer, and more instructed than almost every man with whom he met, how could Addison suffer, desire, admire, feel much? I may expect a child to admire me for being taller or writing more cleverly than she; but how can I ask my superior to say that I am a wonder when he knows better than I? In Addison's days you could scarcely show him a literary performance, a sermon, or a poem, or a piece of literary criticism, but he felt he could do better. His justice must have made him indifferent. He didn't praise, because he measured his compeers by a higher standard than common people have.[75] How was he who was so tall to look up to any but the loftiest genius? He must have stooped to put himself on a level with most men. By that profusion of graciousness and smiles, with which Goethe or Scott, for instance, greeted almost every literary beginner, every small literary adventurer who came to his court and went away charmed from the great king's audience, and cuddling [pg 526] to his heart the compliment which his literary majesty had paid him—each of the two good-natured potentates of letters brought their star and ribbon into discredit. Everybody had his majesty's orders. Everybody had his Majesty's cheap portrait, on a box surrounded with diamonds worth twopence a-piece. A very great and just and wise man ought not to praise indiscriminately, but give his idea of the truth. Addison praises the ingenious Mr. Pinkethman: Addison praises the ingenious Mr. Doggett the actor, whose benefit is coming off that night: Addison praises Don Saltero: Addison praises Milton with all his heart, bends his knee and frankly pays homage to that imperial genius.[76] But between those degrees of his men his praise is very scanty. I don't think the great Mr. Addison liked young Mr. Pope, the Papist, much; I don't think he abused him. But when Mr. Addison's men abused Mr. Pope, I don't think Addison took his pipe out of his mouth to contradict them.[77]
Addison's father was a clergyman of good repute in Wiltshire, and rose in the Church.[78] His famous son never lost his clerical training and scholastic gravity, and was called “a parson in a tye-wig”[79] in London afterwards at [pg 527] a time when tye-wigs were only worn by the laity, and the fathers of theology did not think it decent to appear except in a full bottom. Having been at school at Salisbury, and the Charterhouse, in 1687, when he was fifteen years old he went to Queen's College, Oxford, where he speedily began to distinguish himself by the making of Latin verses. The beautiful and fanciful poem of The Pigmies and the Cranes is still read by lovers of that sort of exercise; and verses are extant in honour of King William, by which it appears that it was the loyal youth's custom to toast that sovereign in bumpers of purple Lyaeus; and many more works are in the collection, including one on the Peace of Ryswick, in 1697, which was so good that Montague got him a pension of 300l. a year, on which Addison set out on his travels.
During his ten years at Oxford, Addison had deeply imbued himself with the Latin poetical literature, and had these poets at his fingers' ends when he travelled in Italy.[80] His patron went out of office, and his pension was unpaid: and hearing that this great scholar, now eminent and known to the literati of Europe (the great Boileau,[81] upon [pg 528] perusal of Mr. Addison's elegant hexameters, was first made aware that England was not altogether a barbarous nation)—hearing that the celebrated Mr. Addison, of Oxford, proposed to travel as governor to a young gentleman on the grand tour, the great Duke of Somerset proposed to Mr. Addison to accompany his son, Lord Hartford.
Mr. Addison was delighted to be of use to his grace and his lordship, his grace's son, and expressed himself ready to set forth.
His grace the Duke of Somerset now announced to one of the most famous scholars of Oxford and Europe that it was his gracious intention to allow my Lord Hartford's tutor one hundred guineas per annum. Mr. Addison wrote back that his services were his grace's, but he by no means found his account in the recompense for them. The negotiation was broken off. They parted with a profusion of congees on one side and the other.
Addison remained abroad for some time, living in the best society of Europe. How could he do otherwise? He must have been one of the finest gentlemen the world ever saw: at all moments of life serene and courteous, cheerful and calm.[82] He could scarcely ever have had a degrading thought. He might have omitted a virtue or two, or many, but could not have had many faults committed for which he need blush or turn pale. When warmed into confidence, his conversation appears to have been so delightful that the greatest wits sat wrapt and charmed to listen to him. No man bore poverty and narrow fortune with a more lofty cheerfulness. His letters to his friends at this period of his life, when he had lost his Government pension and given up his college chances, are full of courage and a gay confidence and philosophy: and they are none the worse in my eyes, and I hope not in those of his last and greatest biographer (though Mr. Macaulay is bound to own and lament a certain weakness for wine, which the great and good Joseph Addison notoriously possessed, in common with countless gentlemen of his time), because some of the [pg 529] letters are written when his honest hand was shaking a little in the morning after libations to purple Lyaeus overnight. He was fond of drinking the healths of his friends: he writes to Wyche,[83] of Hamburgh, gratefully remembering Wyche's “hoc”. “I have been drinking your health to-day with Sir Richard Shirley,” he writes to Bathurst. “I have lately had the honour to meet my Lord Effingham at Amsterdam, where we have drunk Mr. Wood's health a hundred times in excellent champagne,” he writes again. Swift[84] describes him over his cups, when Joseph yielded [pg 530] to a temptation which Jonathan resisted. Joseph was of a cold nature, and needed perhaps the fire of wine to warm his blood. If he was a parson, he wore a tye-wig, recollect. A better and more Christian man scarcely ever breathed than Joseph Addison. If he had not that little weakness for wine—why, we could scarcely have found a fault with him, and could not have liked him as we do.[85]
At thirty-three years of age, this most distinguished wit, scholar, and gentleman was without a profession and an income. His book of Travels had failed: his Dialogues on Medals had had no particular success: his Latin verses, even though reported the best since Virgil, or Statius at any rate, had not brought him a Government place, and Addison was living up two shabby pair of stairs in the Haymarket (in a poverty over which old Samuel Johnson rather chuckles), when in these shabby rooms an emissary from Government and Fortune came and found him.[86]
A poem was wanted about the Duke of Marlborough's victory of Blenheim. Would Mr. Addison write one? Mr. Boyle, afterwards Lord Carleton, took back the reply to the Lord Treasurer Godolphin, that Mr. Addison would. When the poem had reached a certain stage, it was carried to Godolphin; and the last lines which he read were these:
But O my muse! what numbers wilt thou find