To spurn imploring famine from his gate:
But on he moves to meet his latter end,
Angels around befriending virtue's friend;
Sinks to the grave with unperceived decay,
Whilst resignation gently slopes the way;
And all his prospects brightening at the last,
His heaven commences ere the world be past.
In these verses, I need not say with what melody, with [pg 685] what touching truth, with what exquisite beauty of comparison—as indeed in hundreds more pages of the writings of this honest soul—the whole character of the man is told—his humble confession of faults and weakness; his pleasant little vanity, and desire that his village should admire him; his simple scheme of good in which everybody was to be happy—no beggar was to be refused his dinner—nobody in fact was to work much, and he to be the harmless chief of the Utopia, and the monarch of the Irish Yvetôt. He would have told again, and without fear of their failing, those famous jokes[185] which had hung [pg 686] fire in London; he would have talked of his great friends of the Club—of my Lord Clare and my Lord Bishop, my Lord Nugent—sure he knew them intimately, and was hand and glove with some of the best men in town—and he would have spoken of Johnson and of Burke, from Cork, and of Sir Joshua who had painted him—and he would have told wonderful sly stories of Ranelagh and the Pantheon, and the masquerades at Madame Cornelys'; and he would have toasted, with a sigh, the Jessamy Bride—the lovely Mary Horneck.
The figure of that charming young lady forms one of the prettiest recollections of Goldsmith's life. She and her beautiful sister, who married Bunbury, the graceful and humorous amateur artist of those days, when Gilray had but just begun to try his powers, were among the kindest and dearest of Goldsmith's many friends, cheered and pitied him, travelled abroad with him; made him welcome at their home, and gave him many a pleasant holiday. He bought his finest clothes to figure at their country house at Barton—he wrote them droll verses. They loved him, laughed at him, played him tricks and made him happy. He asked for a loan from Garrick, and Garrick kindly supplied him, to enable him to go to Barton—but there were to be no more holidays, and only one brief struggle more for poor Goldsmith—a lock of his hair was taken from the coffin and given to the Jessamy Bride. She lived quite into our time. Hazlitt saw her an old lady, but [pg 687] beautiful still, in Northcote's painting-room, who told the eager critic how proud she always was that Goldsmith had admired her. The younger Colman has left a touching reminiscence of him (vol. i. 63, 64).
“I was only five years old,” he says, “when Goldsmith took me on his knee one evening whilst he was drinking coffee with my father, and began to play with me, which amiable act I returned, with the ingratitude of a peevish brat, by giving him a very smart slap on the face: it must have been a tingler, for it left the marks of my spiteful paw on his cheek. This infantile outrage was followed by summary justice, and I was locked up by my indignant father in an adjoining room to undergo solitary imprisonment in the dark. Here I began to howl and scream most abominably, which was no bad step towards my liberation, since those who were not inclined to pity me might be likely to set me free for the purpose of abating a nuisance.