Marchioness of Esmond this lady sometimes called herself, in virtue of that patent which had been given by the late King James to Harry Esmond's father; and in this state she had her train carried by a knight's wife, a cup and cover of assay to drink from, and fringed cloth.
He who was of the same age as little Francis, whom we [pg 183] shall henceforth call Viscount Castlewood here, was H.R.H. the Prince of Wales, born in the same year and month with Frank, and just proclaimed at St. Germains, King of Great Britain, France, and Ireland.
Chapter III. I Take The Queen's Pay In Quin's Regiment
The fellow in the orange-tawny livery with blue lace and facings was in waiting when Esmond came out of prison, and, taking the young gentleman's slender baggage, led the way out of that odious Newgate, and by Fleet Conduit, down to the Thames, where a pair of oars was called, and they went up the river to Chelsea. Esmond thought the sun had never shone so bright; nor the air felt so fresh and exhilarating. Temple Garden, as they rowed by, looked like the garden of Eden to him, and the aspect of the quays, wharves, and buildings by the river, Somerset House, and Westminster (where the splendid new bridge was just beginning), Lambeth tower and palace, and that busy shining scene of the Thames swarming with boats and barges, filled his heart with pleasure and cheerfulness—as well such a beautiful scene might to one who had been a prisoner so long, and with so many dark thoughts deepening the gloom of his captivity. They rowed up at length to the pretty village of Chelsey, where the nobility have many handsome country-houses; and so came to my lady viscountess's house, a cheerful new house in the row facing the river, with a handsome garden behind it, and a pleasant look-out both towards Surrey and Kensington, where stands the noble ancient palace of the Lord Warwick, Harry's reconciled adversary.
Here in her ladyship's saloon, the young man saw again some of those pictures which had been at Castlewood, and which she had removed thence on the death of her lord, Harry's father. Specially, and in the place of honour, was Sir Peter Lely's picture of the Honourable Mistress Isabella Esmond as Diana, in yellow satin, with a bow in her hand and a crescent in her forehead; and dogs frisking about her. 'Twas painted about the time when [pg 184] royal Endymions were said to find favour with this virgin huntress; and, as goddesses have youth perpetual, this one believed to the day of her death that she never grew older: and always persisted in supposing the picture was still like her.
After he had been shown to her room by the groom of the chamber, who filled many offices besides in her ladyship's modest household; and after a proper interval, his elderly goddess Diana vouchsafed to appear to the young man. A blackamoor in a Turkish habit, with red boots and a silver collar, on which the viscountess's arms were engraven, preceded her and bore her cushion; then came her gentlewoman; a little pack of spaniels barking and frisking about preceded the austere huntress—then, behold, the viscountess herself “dropping odours”. Esmond recollected from his childhood that rich aroma of musk which his mother-in-law (for she may be called so) exhaled. As the sky grows redder and redder towards sunset, so, in the decline of her years, the cheeks of my lady dowager blushed more deeply. Her face was illuminated with vermilion, which appeared the brighter from the white paint employed to set it off. She wore the ringlets which had been in fashion in King Charles's time; whereas the ladies of King William's had head-dresses like the towers of Cybele. Her eyes gleamed out from the midst of this queer structure of paint, dyes, and pomatums. Such was my lady viscountess, Mr. Esmond's father's widow.
He made her such a profound bow as her dignity and relationship merited: and advanced with the greatest gravity, and once more kissed that hand, upon the trembling knuckles of which glittered a score of rings—remembering old times when that trembling hand made him tremble. “Marchioness,” says he, bowing, and on one knee, “is it only the hand I may have the honour of saluting?” For, accompanying that inward laughter, which the sight of such an astonishing old figure might well produce in the young man, there was goodwill too, and the kindness of consanguinity. She had been his father's wife, and was his grandfather's daughter. She had suffered him in old days, and was kind to him now after her fashion. And now that bar-sinister was removed from Esmond's thought, and that secret opprobrium no longer cast upon his mind, he was pleased to feel family ties and own them—perhaps [pg 185] secretly vain of the sacrifice he had made, and to think that he, Esmond, was really the chief of his house, and only prevented by his own magnanimity from advancing his claim.
At least, ever since he had learned that secret from his poor patron on his dying bed, actually as he was standing beside it, he had felt an independency which he had never known before, and which since did not desert him. So he called his old aunt marchioness, but with an air as if he was the Marquis of Esmond who so addressed her.
Did she read in the young gentleman's eyes, which had now no fear of hers or their superannuated authority, that he knew or suspected the truth about his birth? She gave a start of surprise at his altered manner: indeed, it was quite a different bearing to that of the Cambridge student who had paid her a visit two years since, and whom she had dismissed with five pieces sent by the groom of the chamber. She eyed him, then trembled a little more than was her wont, perhaps, and said, “Welcome, cousin”, in a frightened voice.