'THE GREAT ALL.
'The great all is seventy-two feet in lenth, fifty-six in breath, and thirty-eight feet 'igh. The carvings of the chimlies, representing the birth of Venus, and Ercules, and Eyelash, is by Van Chislum, the most famous sculpture of his hage and country. The ceiling, by Calimanco, represents Painting, Harchitecture and Music (the naked female figure with the barrel horgan) introducing George, fust Lord Carabas, to the Temple of the Muses. The winder ornaments is by Vanderputty. The floor is Patagonian marble; and the chandelier in the centre was presented to Lionel, second Marquis, by Lewy the Sixteenth, whose 'ead was cut hoff in the French Revelation. We now henter
THE SOUTH GALLERY.
'One 'undred and forty-eight in lenth by thirty-two in breath; it is profusely hornaminted by the choicest works of Hart. Sir Andrew Katz, founder of the Carabas family and banker of the Prince of Horange, Kneller. Her present Ladyship, by Lawrence. Lord St. Michaels, by the same—he is represented sittin' on a rock in velvit pantaloons. Moses in the bullrushes—the bull very fine, by Paul Potter. The toilet of Venus, Fantaski. Flemish Bores drinking, Van Ginnums. Jupiter and Europia, de Horn. The Grandjunction Canal, Venis, by Candleetty; and Italian Bandix, by Slavata Rosa.'—And so this worthy woman went on, from one room into another, from the blue room to the green, and the green to the grand saloon, and the grand saloon to the tapestry closet, cackling her list of pictures and wonders: and furtively turning up a corner of brown holland to show the colour of the old, faded, seedy, mouldy, dismal hangings.
At last we came to her Ladyship's bed-room. In the centre of this dreary apartment there is a bed about the size of one of those whizgig temples in which the Genius appears in a pantomime. The huge gilt edifice is approached by steps, and so tall, that it might be let off in floors, for sleeping-rooms for all the Carabas family. An awful bed! A murder might be done at one end of that bed, and people sleeping at the other end be ignorant of it. Gracious powers! fancy little Lord Carabas in a nightcap ascending those steps after putting out the candle!
The sight of that seedy and solitary splendour was too much for me. I should go mad were I that lonely housekeeper—in those enormous galleries—in that lonely library, filled up with ghastly folios that nobody dares read, with an inkstand on the centre table like the coffin of a baby, and sad portraits staring at you from the bleak walls with their solemn Mouldy eyes. No wonder that Carabas does not come down here often.
It would require two thousand footmen to make the place cheerful. No wonder the coachman resigned his wig, that the masters are insolvent, and the servants perish in this huge dreary out-at-elbow place.
A single family has no more right to build itself a temple of that sort than to erect a Tower of Babel. Such a habitation is not decent for a mere mortal man. But, after all, I suppose poor Carabas had no choice. Fate put him there as it sent Napoleon to St. Helena. Suppose it had been decreed by Nature that you and I should be Marquises? We wouldn't refuse, I suppose, but take Castle Carabas and all, with debts, duns, and mean makeshifts, and shabby pride, and swindling magnificence.
Next season, when I read of Lady Carabas's splendid entertainments in the MORNING POST, and see the poor old insolvent cantering through the Park—I shall have a much tenderer interest in these great people than I have had heretofore. Poor old shabby Snob! Ride on and fancy the world is still on its knees before the house of Carabas! Give yourself airs, poor old bankrupt Magnifico, who are under money-obligations to your flunkeys; and must stoop so as to swindle poor tradesmen! And for us, O my brother Snobs, oughtn't we to feel happy if our walk through life is more even, and that we are out of the reach of that surprising arrogance and that astounding meanness to which this wretched old victim is obliged to mount and descend.