They came to the house, and passed under an arch into a court-yard, with a fountain in the centre, where many men came and held my lord's stirrup as he descended, and paid great respect to Mr. Holt likewise. And the child thought that the servants looked at him curiously, and smiled to one another—and he recalled what Blaise had said to him when they were in London, and Harry had spoken about his godpapa, when the Frenchman said, “Parbleu, one sees well that my lord is your godfather;” words whereof the poor lad did not know the meaning then, though he apprehended the truth in a very short time afterwards, and learned it, and thought of it with no small feeling of shame.

Taking Harry by the hand as soon as they were both descended from their horses, Mr. Holt led him across the court, and under a low door to rooms on a level with the ground; one of which Father Holt said was to be the boy's chamber, the other on the other side of the passage being the Father's own; and as soon as the little man's face was washed, and the Father's own dress arranged, Harry's guide took him once more to the door by which my lord had entered the hall, and up a stair, and through an ante-room to my lady's drawing-room—an apartment than which Harry thought he had never seen anything more grand—no, not in the Tower of London which he had just visited. Indeed, the chamber was richly ornamented in the manner of Queen Elizabeth's time, with great stained windows at either end, and hangings of tapestry, which the sun shining through the colored glass painted of a thousand lines; and here in state, by the fire, sat a lady to whom the priest took up Harry, who was indeed amazed by her appearance.

My Lady Viscountess's face was daubed with white and red up to the eyes, to which the paint gave an unearthly glare: she had a tower of lace on her head, under which was a bush of black curls—borrowed curls—so that no wonder little Harry Esmond was scared when he was first presented to her—the kind priest acting as master of the ceremonies at that solemn introduction—and he stared at her with eyes almost as great as her own, as he had stared at the player woman who acted the wicked tragedy-queen, when the players came down to Ealing Fair. She sat in a great chair by the fire-corner; in her lap was a spaniel-dog that barked furiously; on a little table by her was her ladyship's snuff-box and her sugar-plum box. She wore a dress of black velvet, and a petticoat of flame-colored brocade. She had as many rings on her fingers as the old woman of Banbury Cross; and pretty small feet which she was fond of showing, with great gold clocks to her stockings, and white pantofles with red heels; and an odor of musk was shook out of her garments whenever she moved or quitted the room, leaning on her tortoise-shell stick, little Fury barking at her heels.

Mrs. Tusher, the parson's wife, was with my lady. She had been waiting-woman to her ladyship in the late lord's time, and, having her soul in that business, took naturally to it when the Viscountess of Castlewood returned to inhabit her father's house.

“I present to your ladyship your kinsman and little page of honor, Master Henry Esmond,” Mr. Holt said, bowing lowly, with a sort of comical humility. “Make a pretty bow to my lady, Monsieur; and then another little bow, not so low, to Madame Tusher—the fair priestess of Castlewood.”

“Where I have lived and hope to die, sir,” says Madame Tusher, giving a hard glance at the brat, and then at my lady.

Upon her the boy's whole attention was for a time directed. He could not keep his great eyes off from her. Since the Empress of Ealing, he had seen nothing so awful.

“Does my appearance please you, little page?” asked the lady.

“He would be very hard to please if it didn't,” cried Madame Tusher.

“Have done, you silly Maria,” said Lady Castlewood.