“Dismal?—beautiful!—the Castle of Otranto!—the Mysteries of Udolpho, by Jove!” said the individual addressed as Ned. “What a fireplace! You might roast an elephant in it. Splendid carved gallery! Inigo Jones, by Jove! I’d lay five to two it’s Inigo Jones.”
“The upper part by Inigo Jones; the lower was altered by the eminent Dutch architect, Vanderputty, in George the First his time, by Sir Richard, fourth baronet,” said the housekeeper.
“O indeed,” said the Baronet “Gad, Ned, you know everything.”
“I know a few things, Frank,” Ned answered. “I know that’s not a Snyders over the mantelpiece—bet you three to one it’s a copy. We’ll restore it, my boy. A lick of varnish, and it will come out wonderfully, sir. That old fellow in the red gown, I suppose, is Sir Richard.”
“Sheriff of the county, and sate in parliament in the reign of Queen Anne,” said the housekeeper, wondering at the stranger’s knowledge; “that on the right is Theodosia, wife of Harbottle, second baronet, by Lely, represented in the character of Venus, the Goddess of Beauty,—her son Gregory, the third baronet, by her side, as Cupid, God of Love, with a bow and arrows; that on the next panel is Sir Rupert, made a knight banneret by Charles the First, and whose property was confuscated by Oliver Cromwell.”
“Thank you—needn’t go on, Mrs. Blenkinsop,” said the Baronet, “We’ll walk about the place ourselves. Frosch, give me a cigar. Have a cigar, Mr. Tatham?”
Little Mr. Tatham tried a cigar which Sir Francis’s courier handed to him, and over which the lawyer spluttered fearfully. “Needn’t come with us, Mrs. Blenkinsop. What’s—his—name—you—Smart—feed the horses and wash their mouths. Shan’t stay long. Come along, Strong,—I know the way: I was here in twenty-thwee, at the end of my gwandfather’s time.” And Sir Francis and Captain Strong, for such was the style and title of Sir Francis’s friend, passed out of the hall into the reception-rooms, leaving the discomfited Mrs. Blenkinsop to disappear by a side-door which led to her apartments, now the only habitable rooms in the long-uninhabited mansion.
It was a place so big that no tenant could afford to live in it; and Sir Francis and his friend walked through room after room, admiring their vastness and dreary and deserted grandeur. On the right of the hall-door were the saloons and drawing-rooms, and on the other side the oak room, the parlour, the grand dining-room, the library, where Pen had found books in old days. Round three sides of the hall ran a gallery, by which, and corresponding passages, the chief bedrooms were approached, and of which many were of stately proportions and exhibited marks of splendour. On the second story was a labyrinth of little discomfortable garrets, destined for the attendants of the great folks who inhabited the mansion in the days when it was first built: and I do not know any more cheering mark of the increased philanthropy of our own times, than to contrast our domestic architecture with that of our ancestors, and to see how much better servants and poor are cared for now, than in times when my lord and my lady slept under gold canopies, and their servants lay above them in quarters not so airy or so clean as stables are now.
Up and down the house the two gentlemen wandered, the owner of the mansion being very silent and resigned about the pleasure of possessing it; whereas the Captain, his friend, examined the premises with so much interest and eagerness that you would have thought he was the master, and the other the indifferent spectator of the place. “I see capabilities in it—capabilities in it, sir,” cried the Captain. “Gad, sir, leave it to me, and I’ll make it the pride of the country, at a small expense. What a theatre we can have in the library here, the curtains between the columns which divide the room! What a famous room for a galop!—it will hold the whole shire. We’ll hang the morning parlour with the tapestry in your second salon in the Rue de Grenelle, and furnish the oak room with the Moyen-age cabinets and the armour. Armour looks splendid against black oak, and there’s a Venice glass in the Quai Voltaire, which will suit that high mantelpiece to an inch, sir. The long saloon, white and crimson of course; the drawing-room yellow satin; and the little drawing-room light blue, with lace over—hay?”
“I recollect my old governor caning me in that little room,” Sir Francis said sententiously; “he always hated me, my old governor.”