Around Tom are seated grave Royal Academicians, rising gay Associates; writers of other journals besides the Pall Mall Gazette; a barrister maybe, whose name will be famous some day: a hewer of marble perhaps: a surgeon whose patients have not come yet; and one or two men about town who like this queer assembly better than haunts much more splendid. Captain Shandon has been here, and his jokes are preserved in the tradition of the place. Owlet, the philosopher, came once and tried, as his wont is, to lecture; but his metaphysics were beaten down by a storm of banter. Slatter, who gave himself such airs because he wrote in the —— Review, tried to air himself at the Haunt, but was choked by the smoke, and silenced by the unanimous pooh-poohing of the assembly. Dick Walker, who rebelled secretly at Sarjent’s authority, once thought to give himself consequence by bringing a young lord from the Blue Posts, but he was so unmercifully “chaffed” by Tom, that even the young lord laughed at him. His lordship has been heard to say he had been taken to a monsus queeah place, queeah set of folks, in a tap somewhere, though he went away quite delighted with Tom’s affability, but he never came again. He could not find the place, probably. You might pass the Haunt in the daytime, and not know it in the least. “I believe,” said Charley Ormond (A.R.A. he was then)—“I believe in the day there’s no such place at all: and when Betsy turns the gas off at the door-lamp as we go away, the whole thing vanishes: the door, the house, the bar, the Haunt, Betsy, the beer-boy, Mrs. Nokes and all.” It has vanished: it is to be found no more: neither by night nor by day—unless the ghosts of good fellows still haunt it.
As the genial talk and glass go round, and after Clive and his friend have modestly answered the various queries put to them by good old Tom Sarjent, the acknowledged Praeses of the assembly and Sachem of this venerable wigwam, the door opens and another well-known figure is recognised with shouts as it emerges through the smoke. “Bayham, all hail!” says Tom. “Frederick, I am right glad to see thee!”
Bayham says he is disturbed in spirit, and calls for a pint of beer to console him.
“Hast thou flown far, thou restless bird of night?” asks Father Tom, who loves speaking in blank verses.
“I have come from Cursitor Street,” says Bayham, in a low groan. “I have just been to see a poor devil in quod there. Is that you, Pendennis? You know the man—Charles Honeyman.”
“What!” cries Clive, starting up.
“O my prophetic soul, my uncle!” growls Bayham. “I did not see the young one; but ’tis true.”
The reader is aware that more than the three years have elapsed, of which time the preceding pages contain the harmless chronicle; and while Thomas Newcome’s leave has been running out and Clive’s mustachios growing, the fate of other persons connected with our story has also had its development, and their fortune has experienced its natural progress, its increase or decay. Our tale, such as it has hitherto been arranged, has passed leisurely in scenes wherein the present tense is perforce adopted; the writer acting as chorus to the drama, and occasionally explaining, by hints or more open statements, what has occurred during the intervals of the acts; and how it happens that the performers are in such or such a posture. In the modern theatre, as the play-going critic knows, the explanatory personage is usually of quite a third-rate order. He is the two walking-gentlemen friends of Sir Harry Courtly, who welcome the young baronet to London, and discourse about the niggardliness of Harry’s old uncle, the Nabob; and the depth of Courtly’s passion for Lady Annabel the première amoureuse. He is the confidant in white linen to the heroine in white satin. He is “Tom, you rascal,” the valet or tiger, more or less impudent and acute—that well-known menial in top-boots and a livery frock with red cuffs and collar, whom Sir Harry always retains in his service, addresses with scurrilous familiarity, and pays so irregularly: or he is Lucetta, Lady Annabel’s waiting-maid, who carries the billets-doux and peeps into them; knows all about the family affairs; pops the lover under the sofa; and sings a comic song between the scenes. Our business now is to enter into Charles Honeyman’s privacy, to peer into the secrets of that reverend gentleman, and to tell what has happened to him during the past months, in which he has made fitful though graceful appearances on our scene.
While his nephew’s whiskers have been budding, and his brother-in-law has been spending his money and leave, Mr. Honeyman’s hopes have been withering, his sermons growing stale, his once blooming popularity drooping and running to seed. Many causes have contributed to bring him to his present melancholy strait. When you go to Lady Whittlesea’s Chapel now, it is by no means crowded. Gaps are in the pews: there is not the least difficulty in getting a snug place near the pulpit, whence the preacher can look over his pocket-handkerchief and see Lord Dozeley no more: his lordship has long gone to sleep elsewhere and a host of the fashionable faithful have migrated too. The incumbent can no more cast his fine eyes upon the French bonnets of the female aristocracy and see some of the loveliest faces in Mayfair regarding his with expressions of admiration. Actual dowdy tradesmen of the neighbourhood are seated with their families in the aisles: Ridley and his wife and son have one of the very best seats. To be sure Ridley looks like a nobleman, with his large waistcoat, bald head, and gilt book: J. J. has a fine head; but Mrs. Ridley! cook and housekeeper is written on her round face. The music is by no means of its former good quality. That rebellious and ill-conditioned basso Bellew has seceded, and seduced the four best singing boys, who now perform glees at the Cave of Harmony. Honeyman has a right to speak of persecution, and to compare himself to a hermit in so far that he preaches in a desert. Once, like another hermit, St. Hierome, he used to be visited by lions. None such come to him now. Such lions as frequent the clergy are gone off to lick the feet of other ecclesiastics. They are weary of poor Honeyman’s old sermons.
Rivals have sprung up in the course of these three years—have sprung up round about Honeyman and carried his flock into their folds. We know how such simple animals will leap one after another, and that it is the sheepish way. Perhaps a new pastor has come to the church of St. Jacob’s hard by—bold, resolute, bright, clear, a scholar and no pedant: his manly voice is thrilling in their ears, he speaks of life and conduct, of practice as well as faith; and crowds of the most polite and most intelligent, and best informed, and best dressed, and most selfish people in the world come and hear him twice at least. There are so many well-informed and well-dressed etc. etc. people in the world that the succession of them keeps St. Jacob’s full for a year or more. Then, it may be, a bawling quack, who has neither knowledge, nor scholarship, nor charity, but who frightens the public with denunciations and rouses them with the energy of his wrath, succeeds in bringing them together for a while till they tire of his din and curses. Meanwhile the good quiet old churches round about ring their accustomed bell: open their Sabbath gates: receive their tranquil congregations and sober priest, who has been busy all the week, at schools and sick-beds, with watchful teaching, gentle counsel, and silent alms.