Thrown together every day, and night after night; flocking to the same picture-galleries, statue-galleries, Pincian drives, and church functions, the English colonists at Rome perforce became intimate, and in many cases friendly. They have an English library where the various meets for the week are placarded: on such a day the Vatican galleries are open: the next is the feast of Saint So-and-so: on Wednesday there will be music and vespers at the Sistine Chapel—on Thursday, the Pope will bless the animals—sheep, horses, and what-not: and flocks of English accordingly rush to witness the benediction of droves of donkeys. In a word, the ancient city of the Cæsars, the august fanes of the Popes, with their splendour and ceremony, are all mapped out and arranged for English diversion; and we run in a crowd to high mass at St. Peter’s, or to the illumination on Easter Day, as we run when the bell rings to the Bosjesmen at Cremorne, or the fireworks at Vauxhall.
Running to see fireworks alone, rushing off to examine Bosjesmen by one’s self, is a dreary work: I should think very few men would have the courage to do it unattended, and personally would not prefer a pipe in their own rooms. Hence if Clive went to see all these sights, as he did, it is to be concluded that he went in company; and if he went in company and sought it, we may suppose that little affair which annoyed him at Baden no longer tended to hurt his peace of mind very seriously. The truth is, our countrymen are pleasanter abroad than at home; most hospitable, kindly, and eager to be pleased and to please. You see a family half a dozen times in a week in the little Roman circle, whom you shall not meet twice in a season afterwards in the enormous London round. When Easter is over and everybody is going away at Rome, you and your neighbour shake hands, sincerely sorry to part: in London we are obliged to dilute our kindness so that there is hardly any smack of the original milk. As one by one the pleasant families dropped off with whom Clive had spent his happy winter; as Admiral Freeman’s carriage drove away, whose pretty girls he had caught at St. Peter’s kissing St. Peter’s toe; as Dick Denby’s family ark appeared with all Denby’s sweet young children kissing farewells to him out of the window; as those three charming Miss Baliols with whom he had that glorious day in the Catacombs; as friend after friend quitted the great city with kind greetings, warm pressures of the hand, and hopes of meeting in a yet greater city on the banks of the Thames, young Clive felt a depression of spirit. Rome was Rome, but it was pleasanter to see it in company; our painters are smoking still at the Oafs Greco, but a society all smoke and all painters did not suit him. If Mr. Clive is not a Michael Angelo or a Beethoven, if his genius is not gloomy, solitary, gigantic, shining alone, like a lighthouse, a storm round about him, and breakers dashing at his feet, I cannot help myself: he is as Heaven made him, brave, honest, gay, and friendly, and persons of a gloomy turn must not look to him as a hero.
So Clive and his companion worked away with all their hearts from November until far into April when Easter came, and the glorious gala with which the Roman Church celebrates that holy season. By this time Clive’s books were full of sketches. Ruins, imperial and mediæval; peasants and bagpipemen; Passionists with shaven polls; Capuchins and the equally hairy frequenters of the Café Greco; painters of all nations who resort there; Cardinals and their queer equipages and attendants; the Holy Father himself (it was Gregory sixteenth of the name); the dandified English on the Pincio and the wonderful Roman members of the hunt—were not all these designed by the young man and admired by his friends in after-days? J. J.’s sketches were few, but he had painted two beautiful little pictures, and sold them for so good a price that Prince Polonia’s people were quite civil to him. He had orders for yet more pictures, and having worked very hard, thought himself authorised to accompany Mr. Clive upon a pleasure-trip to Naples, which the latter deemed necessary after his own tremendous labours. He for his part had painted no pictures, though he had commenced a dozen and turned them to the wall; but he had sketched, and dined, and smoked, and danced, as we have seen. So the little britzska was put behind horses again, and our two friends set out on their tour, having quite a crowd of brother-artists to cheer them, who had assembled and had a breakfast for the purpose at that comfortable osteria near the Lateran Gate. How the fellows flung their hats up, and shouted, “Lebe wohl,” and “Adieu,” and “God bless you, old boy,” in many languages! Clive was the young swell of the artists of that year, and adored by the whole of the jolly company. His sketches were pronounced on all hands to be admirable: it was agreed that if he chose he might do anything.
So with promises of a speedy return they left behind them the noble city, which all love who once have seen it, and of which we think afterwards ever with the kindness and the regard of home. They dashed across the Campagna and over the beautiful hills of Albano, and sped through the solemn Pontine Marshes, and stopped to roost at Terracing (which was not at all like Fra Diavolo’s Terracing at Covent Garden, as J. J. was distressed to remark), and so, galloping onwards through a hundred ancient cities that crumble on the shores of the beautiful Mediterranean, behold, on the second day as they ascended a hill about noon. Vesuvius came in view, its great shape shimmering blue in the distant haze, its banner of smoke in the cloudless sky. And about five o’clock in the evening (as everybody will who starts from Terracing early and pays the postboy well), the travellers came to an ancient city walled and fortified, with drawbridges over the shining moats.
“Here is CAPUA,” says J. J., and Clive burst out laughing: thinking of his Capua which he had left—how many months—years it seemed ago! From Capua to Naples is a fine straight road, and our travellers were landed at the latter place at suppertime; where, if they had quarters at the Vittoria Hotel, they were as comfortable as any gentlemen painters need wish to be in this world.
The aspect of the place was so charming and delightful to Clive:—the beautiful sea stretched before his eyes when waking, Capri a fairy island in the distance, in the amethyst rocks of which Sirens might be playing—that fair line of cities skirting the shore glittering white along the purple water—over the whole brilliant scene Vesuvius rising with cloudlets playing round its summit, and the country bursting out into that glorious vegetation with which sumptuous nature decorates every spring—this city and scene of Naples were so much to Clive’s liking that I have a letter from him dated a couple of days after the young man’s arrival, in which he announces his intention of staying there for ever, and gives me an invitation to some fine lodgings in a certain palazzo, on which he has cast his eye. He is so enraptured with the place, that he says to die and be buried there even would be quite a treat, so charming is the cemetery where the Neapolitan dead repose.
The Fates did not, however, ordain that Clive Newcome should pass all his life at Naples. His Roman banker presently forwarded a few letters to his address; some which had arrived after his departure, others which had been lying at the Poste Restante, with his name written in perfectly legible characters, but which the authorities of the post, according to their custom, would not see when Clive sent for them.
It was one of these letters which Clive clutched the most eagerly. It had been lying since October, actually, at the Roman post, though Clive had asked for letters there a hundred times. It was that little letter from Ethel, in reply to his own, whereof we have made mention in a previous chapter. There was not much in the little letter. Nothing, of course, that Virtue or Grandmamma might not read over the young writer’s shoulder. It was affectionate, simple, rather melancholy; described in a few words Sir Brian’s seizure and present condition; spoke of Lord Kew, who was mending rapidly, as if Clive, of course, was aware of his accident; of the children, of Clive’s father, and ended with a hearty “God bless you,” to Clive, from his sincere Ethel.
“You boast of its being over. You see it is not over,” says Clive’s monitor and companion. “Else, why should you have dashed at that letter before all the others, Clive?” J. J. had been watching, not without interest, Clive’s blank face as he read the young lady’s note.
“How do you know who wrote the letter?” asks Clive.