Ethel (musing). Barnes would not, perhaps, but papa might even still, and you have friends who are fond of you.

Clive. No—no one can help me: and my art, Ethel, is not only my choice and my love, but my honour too. I shall never distinguish myself in it: I may take smart likenesses, but that is all. I am not fit to grind my friend Ridley’s colours for him. Nor would my father, who loves his own profession so, make a good general probably. He always says so. I thought better of myself when I began as a boy; and was a conceited youngster, expecting to carry it all before me. But as I walked the Vatican, and looked at Raphael, and at the great Michael—I knew I was but a poor little creature; and in contemplating his genius, shrunk up till I felt myself as small as a man looks under the dome of St. Peter’s. Why should I wish to have a great genius?—Yes, there is one reason why I should like to have it.

Ethel. And that is?

Clive. To give it you, if it pleased you, Ethel. But I might wish for the roc’s egg: there is no way of robbing the bird. I must take a humble place, and you want a brilliant one. A brilliant one! Oh, Ethel, what a standard we folks measure fame by! To have your name in the Morning Post, and to go to three balls every night. To have your dress described at the Drawing-Room; and your arrival, from a round of visits in the country, at your town-house; and the entertainment of the Marchioness of Farin——

Ethel. Sir, if you please, no calling names.

Clive. I wonder at it. For you are in the world, and you love the world, whatever you may say. And I wonder that one of your strength of mind should so care for it. I think my simple old father is much finer than all your grandees: his single-mindedness more lofty than all their bowing, and haughtiness, and scheming. What are you thinking of, as you stand in that pretty attitude—like Mnemosyne—with your finger on your chin?

Ethel. Mnemosyne! who was she? I think I like you best when you are quiet and gentle, and not when you are flaming out and sarcastic, sir. And so you think you will never be a famous painter? They are quite in society here. I was so pleased, because two of them dined at the Tuileries when grandmamma was there; and she mistook one, who was covered all over with crosses, for an ambassador, I believe, till the Queen call him Monsieur Delaroche. She says there is no knowing people in this country. And do you think you will never be able to paint as well as M. Delaroche?

Clive. No—never.

Ethel. And—and—you will never give up painting?

Clive. No—never. That would be like leaving your friend who was poor; or deserting your mistress because you were disappointed about her money. They do those things in the great world, Ethel.