“Get me some. Bring it into my room, unless, Honeyman, you insist upon my having it here, kind fellow!”
At the moment a smart knock comes to the door, and Fred says, “Well, Charles, it may be a friend or a lady come to confess, and I’m off; I knew you’d be sorry I was going. Tom, bring up my things; brush ’em gently, you scoundrel, and don’t take the nap off. Bring up the roast pork, and plenty of apple-sauce, tell Mrs. Ridley, with my love; and one of Mr. Honeyman’s shirts, and one of his razors. Adieu, Charles! Amend! Remember me.” And he vanishes into the upper chambers.
CHAPTER XII.
In which everybody is asked to Dinner
John James had opened the door hastening to welcome a friend and patron, the sight of whom always gladdened the youth’s eyes; no other than Clive Newcome—in young Ridley’s opinion, the most splendid, fortunate, beautiful, high-born, and gifted youth this island contained. What generous boy in his time has not worshipped somebody? Before the female enslaver makes her appearance, every lad has a friend of friends, a crony of cronies, to whom he writes immense letters in vacation, whom he cherishes in his heart of hearts; whose sister he proposes to marry in after life; whose purse he shares; for whom he will take a thrashing if need be: who is his hero. Clive was John James’s youthful divinity: when he wanted to draw Thaddeus of Warsaw, a Prince, Ivanhoe, or some one splendid and egregious, it was Clive he took for a model. His heart leapt when he saw the young fellow. He would walk cheerfully to Grey Friars, with a letter or message for Clive, on the chance of seeing him, and getting a kind word from him, or a shake of the hand. An ex-butler of Lord Todmorden was a pensioner in the Grey Friars Hospital (it has been said that at that ancient establishment is a college for old men as well as for boys), and this old man would come sometimes to his successor’s Sunday dinner, and grumble from the hour of that meal until nine o’clock, when he was forced to depart, so as to be within Grey Friars’ gates before ten; grumble about his dinner—grumble about his beer—grumble about the number of chapels he had to attend, about the gown he wore, about the master’s treatment of him, about the want of plums in the pudding, as old men and schoolboys grumble. It was wonderful what a liking John James took to this odious, querulous, graceless, stupid, and snuffy old man, and how he would find pretexts for visiting him at his lodging in the old hospital. He actually took that journey that he might have a chance of seeing Clive. He sent Clive notes and packets of drawings; thanked him for books lent, asked advice about future reading—anything, so that he might have a sight of his pride, his patron, his paragon.
I am afraid Clive Newcome employed him to smuggle rum-shrub and cigars into the premises; giving him appointments in the school precincts, where young Clive would come and stealthily receive the forbidden goods. The poor lad was known by the boys, and called Newcome’s Punch. He was all but hunchbacked; long and lean in the arm; sallow, with a great forehead, and waving black hair, and large melancholy eyes.
“What, is it you, J. J.?” cries Clive gaily, when his humble friend appears at the door. “Father, this is my friend Ridley. This is the fellow what can draw.”
“I know whom I will back against any young man of his size at that,” says the Colonel, looking at Clive fondly. He considered there was not such a genius in the world; and had already thought of having some of Clive’s drawings published by M’Lean of the Haymarket.
“This is my father just come from India—and Mr. Pendennis, an old Grey Friars’ man. Is my uncle at home?” Both these gentlemen bestow rather patronising nods of the head on the lad introduced to them as J. J. His exterior is but mean-looking. Colonel Newcome, one of the humblest-minded men alive, has yet his old-fashioned military notions; and speaks to a butler’s son as to a private soldier, kindly, but not familiarly.
“Mr Honeyman is at home, gentlemen,” the young lad says, humbly. “Shall I show you up to his room?” And we walk up the stairs after our guide. We find Mr. Honeyman deep in study on his sofa, with Pearson on the Creed before him. The novel has been whipped under the pillow. Clive found it there some short time afterwards, during his uncle’s temporary absence in his dressing-room. He has agreed to suspend his theological studies, and go out with his brother-in-law to dine.
As Clive and his friends were at Honeyman’s door, and just as we were entering to see the divine seated in state before his folio, Clive whispers, “J. J., come along, old fellow, and show us some drawings. What are you doing?”