When Mr. Warrington has finished reading his tragedy, he turns round to Mr. Johnson, modestly, and asks,—
“What say you, sir? Is there any chance for me?”
But the opinion of this most eminent critic is scarce to be given, for Mr. Johnson had been asleep for some time, and frankly owned that he had lost the latter part of the play.
The little auditory begins to hum and stir as the noise of the speaker ceased. George may have been very nervous when he first commenced to read; but everybody allows that he read the last two acts uncommonly well, and makes him a compliment upon his matter and manner. Perhaps everybody is in good-humour because the piece has come to an end. Mr. Spencer's servant hands about refreshing drinks. The Templars speak out their various opinions whilst they sip the negus. They are a choice band of critics, familiar with the pit of the theatre, and they treat Mr. Warrington's play with the gravity which such a subject demands.
Mr. Fountain suggests that the Vizier should not say “Fire!” when he bids the archers kill Carpezan, as you certainly don't fire with a bow and arrows. A note is taken of the objection.
Mr. Figtree, who is of a sentimental turn, regrets that Ulric could not be saved, and married to the comic heroine.
“Nay, sir, there was an utter annihilation of the Hungarian army at Mohacz,” says Mr. Johnson, “and Ulric must take his knock on the head with the rest. He could only be saved by flight, and you wouldn't have a hero run away! Pronounce sentence of death against Captain Ulric, but kill him with honours of war.”
Messrs. Essex and Tanfield wonder to one another who is this queer-looking pert whom Spencer has invited, and who contradicts everybody; and suggest a boat up the river and a little fresh air after the fatigues of the tragedy.
The general opinion is decidedly favourable to Mr. Warrington's performance; and Mr. Johnson's opinion, on which he sets a special value, is the most favourable of all. Perhaps Mr. Johnson is not sorry to compliment a young gentleman of fashion and figure like Mr. W. “Up to the death of the heroine,” he says, “I am frankly with you, sir. And I may speak, as a playwright who have killed my own heroine, and had my share of the plausus in the atro. To hear your own lines nobly delivered to an applauding house, is indeed a noble excitement. I like to see a young man of good name and lineage who condescends to think that the Tragic Muse is not below his advances. It was to a sordid roof that I invited her, and I asked her to rescue me from poverty and squalor. Happy you, sir, who can meet her upon equal terms, and can afford to marry her without a portion!”
“I doubt whether the greatest genius is not debased who has to make a bargain with Poetry,” remarks Mr. Spencer.