The late President Garfield began this method when he began to study, with a view to a liberal education, at about seventeen years of age. He continued it as long as he lived. His notes and references, including scrap-books, filled several volumes before his Congressional career closed, on a great variety of subjects. A large number of books, in addition to those in his own library, were made available in this way. It was said that his notes were of great service to him in Congress, in the discussion of almost any public question.

XIV.

LEARNING THE ART OF COMPOSITION.

Having delayed the narrative to learn of the books that helped to make him the man he became, it is necessary to delay further to see how he practised writing composition, both prose and poetry, in his early life, thus laying the foundation for the excellence of his writings in manhood.

Benjamin was not more than seven years old when he began to write poetry. His "Uncle Benjamin's" frequent poetic addresses to him inspired him to try his hand at the art, and he wrote something and forwarded to his uncle in England. Whatever it was, it has not been preserved. But we know that he wrote a piece, doggerel of course, and sent to him, from the fact that his uncle returned the following reply:

"'T is time for me to throw aside my pen,
When hanging sleeves read, write, and rhyme like men.
This forward spring foretells a plenteous crop;
For, if the bud bear grain, what will the top?
If plenty in the verdant blade appear,
What may we not soon hope for in the ear!
When flowers are beautiful before they're blown,
What rarities will afterwards be shown!

"If trees good fruit uninoculated bear,
You may be sure 't will afterwards be rare.
If fruits are sweet before they've time to yellow,
How luscious will they be when they are mellow!
If first-year's shoots such noble clusters send,
What laden boughs, Engedi-like, may we expect in end!"

There was no time, from the above date, when Benjamin did not indulge, to some extent, his inclination to write. It was done for his own amusement and profit, so that he was not in the habit of showing or speaking of his productions. None of them were preserved.

But his talent for composition developed rapidly from the time he was fairly settled in the printing business. He practised putting original thoughts, and thoughts culled from books, into sentences and paragraphs, a very sensible method of self-improvement. He often tried his hand at poetry, if it was only a couplet at a time. Longer compositions he wrote, for no one to see and read but himself. One day his brother James, curious to see what Benjamin was writing so much about, looked over his shoulder.

"What have you there, Ben?" he said. "Writing a sermon or your will? Ay! poetry is it?" catching a glimpse of it. "Then you are a poet are you?"