"Fine enough, I s'pose, though I don't know much about it, as I never thought it was best to injure my eyes looking."
"Well, I must say that you——"
"There, take that, you little whelp," just then shouted Sam to Trip, as he gave the little dog a kick that sent him half across the road.
It seems that Trip happened to come in Sam's way, so that he stumbled against him, and this aroused his ire at once, and then followed the cruel assault. The dog certainly did not mean to come in his way, for he was not a boy that even the dogs liked. They usually kept a respectable distance from both Sam and Ben, and saved their good-will for such kind boys as Nat and Frank. Dogs learn very readily who their friends are, and they wag their tails and skip around those only who are.
Frank looked at Nat when he saw his favorite dog thus abused, and the glance which they exchanged told what each of them thought of the barbarous treatment. Nothing was said, however, and they passed on. It was evident, by this time, that Sam and his brother intended to accompany them, without an invitation, to Prospect Hill. While they are on the way, we will improve the time to say a word about Nat's love of nature.
Sam could see no beauty in a landscape. Why any person should want to stand upon a hill-top for a whole half hour to view green lawns, gardens, meadows, and villages and cities, with their church spires and domes, he could not understand, especially after they had seen them once. If he could have been put into Eden, it would have been no sport for him, unless he could have had the privilege of clubbing the cats and stoning the dogs.
It was different with Nat. He never tired of the view from Prospect Hill, and this love of nature and art contributed to elevate his character. This is always the case. Scarcely any person has become renowned for learning, in whom this love was not early developed. Sir Francis Chantrey was one of the most distinguished artists of his day, possessing a nice discrimination and a most delicate taste, to aid him in his remarkable imitations of nature. He was reared upon a farm, where he enjoyed the innocent pleasure of ranging the forests, climbing hills, bathing in ponds and streams, and rambling through vale and meadow for fowl and fish, all of which he did with a "relish keen." Perhaps he owed more to the inspiration of the wild scenes of Derby Hills, than to all the books that occupied his attention in his boyhood's days. The same was true of the gifted poet Burns, whose sweet and lofty verse has made the name of Scotland, his native land, immortal. He took his first lessons from the green fields, and gushing bird-songs, on his father's farm. Silently, and unconsciously to himself, dame Nature waked his poetic genius into life, when he followed the plough, angled in his favorite stream, or played "echo" with the neighboring woods. The late Hugh Miller, also, the world-renowned geologist, might have been unknown to fame but for the unconscious tuition that he derived from the rocky sides of Cromarty Hill, and his boyish exploration of Doocot Caves. He loved nature more than he loved art. There was nothing that suited him better than to be scaling the rugged sides of hills, exploring deep, dark caverns, and hunting shells and stones on the sea-shore. He was naturally rough, headstrong, and heedless—qualities that tend to drag a youth down to ruin. But his love of nature opened a path of innocent thought and amusement before him, and saved him from a wretched life.
Thus the facts of history show that there is more hope of a boy who loves the beautiful in nature and art, than of him who, like Sam Drake, cared for neither. Perhaps we shall learn that it would have been better for Sam if he had thought more favorably of nature, and less of rude and cruel sports.
The boys reached the top of the hill before two o'clock. Sam Drake was the first to set his foot upon its solid apex, and he signalized the event by swinging his hat, and shouting,
"Three cheers for the meeting-houses!"