Among the country people, particularly in the southern countries, the virgins (anak gaddis, or goddesses, as it is usually pronounced) are distinguished by a fillet which goes across the front of the hair and fastens behind. This is commonly a thin plate of silver, about half an inch broad: those of the first rank have it of gold, and those of the lowest class have their fillet of the leaf of the nipah tree. Beside this peculiar ornament their state is denoted by their having rings or bracelets of silver or gold on their wrists. Strings of coins round the neck are universally worn by children, and the females, before they are of an age to be clothed, have what may not be inaptly termed a modesty-piece, being a plate of silver in the shape of a heart (called chaping) hung before, by a chain of the same metal, passing round the waist. The young women in the country villages manufacture themselves the cloth that forms the body-dress, or kain-sarong, which for common occasions is their only covering, and reaches from the breast no lower than the knees. The dresses of the women of the Malay bazaars on the contrary extend as low as the feet; but here, as in other instances, the more scrupulous attention to appearances does not accompany the superior degree of real modesty. This cloth, for the wear both of men and women, is imported from the island of Celebes, or, as it is here termed, the Bugis country.
MODE OF FILING TEETH.
Both sexes have the extraordinary custom of filing and otherwise disfiguring their teeth, which are naturally very white and beautiful from the simplicity of their food. For files they make use of small whetstones of different degrees of fineness, and the patients lie on their back during the operation. Many, particularly the women of the Lampong country, have their teeth rubbed down quite even with the gums; others have them formed in points; and some file off no more than the outer coat and extremities, in order that they may the better receive and retain the jetty blackness with which they almost universally adorn them. The black used on these occasions is the empyreumatic oil of the coconut-shell. When this is not applied the filing does not, by destroying what we term the enamel, diminish the whiteness of the teeth; but the use of betel renders them black if pains be not taken to prevent it. The great men sometimes set theirs in gold, by casing, with a plate of that metal, the under row; and this ornament, contrasted with the black dye, has by lamp or candlelight a very splendid effect. It is sometimes indented to the shape of the teeth, but more usually quite plain. They do not remove it either to eat or sleep.
At the age of about eight or nine they bore the ears and file the teeth of the female children; which are ceremonies that must necessarily precede their marriage. The former they call betende, and the latter bedabong; and these operations are regarded in the family as the occasion of a festival. They do not here, as in some of the adjacent islands (of Nias in particular), increase the aperture of the ear to a monstrous size, so as in many instances to be large enough to admit the hand, the lower parts being stretched till they touch the shoulders. Their earrings are mostly of gold filigree, and fastened not with a clasp, but in the manner of a rivet or nut screwed to the inner part.
CHAPTER 3.
VILLAGES.
BUILDINGS.
DOMESTIC UTENSILS.
FOOD.
I shall now attempt a description of the villages and buildings of the Sumatrans, and proceed to their domestic habits of economy, and those simple arts on which the procuring of their food and other necessaries depends. These are not among the least interesting objects of philosophical speculation. In proportion as the arts in use with any people are connected with the primary demands of nature, they carry the greater likelihood of originality, because those demands must have been administered to from a period coeval with the existence of the people themselves. Or if complete originality be regarded as a visionary idea, engendered from ignorance and the obscurity of remote events, such arts must be allowed to have the fairest claim to antiquity at least. Arts of accommodation, and more especially of luxury, are commonly the effect of imitation, and suggested by the improvements of other nations which have made greater advances towards civilisation. These afford less striking and characteristic features in delineating the picture of mankind, and, though they may add to the beauty, diminish from the genuineness of the piece. We must not look for unequivocal generic marks, where the breed, in order to mend it, has been crossed by a foreign mixture. All the arts of primary necessity are comprehended within two distinctions: those which protect us from the inclemency of the weather and other outward accidents; and those which are employed in securing the means of subsistence. Both are immediately essential to the continuance of life, and man is involuntarily and immediately prompted to exercise them by the urgent calls of nature, even in the merest possible state of savage and uncultivated existence. In climates like that of Sumatra this impulse extends not far. The human machine is kept going with small effort in so favourable a medium. The spring of importunate necessity there soon loses its force, and consequently the wheels of invention that depend upon it fail to perform more than a few simple revolutions. In regions less mild this original motive to industry and ingenuity carries men to greater lengths in the application of arts to the occasions of life; and these of course in an equal space of time attain to greater perfection than among the inhabitants of the tropical latitudes, who find their immediate wants supplied with facility, and prefer the negative pleasure of inaction to the enjoyment of any conveniences that are to be purchased with exertion and labour. This consideration may perhaps tend to reconcile the high antiquity universally allowed to Asiatic nations, with the limited progress of arts and sciences among them; in which they are manifestly surpassed by people who compared with them are but of very recent date.
The Sumatrans however in the construction of their habitations have stepped many degrees beyond those rude contrivances which writers describe the inhabitants of some other Indian countries to have been contented with adopting in order to screen themselves from the immediate influence of surrounding elements. Their houses are not only permanent but convenient, and are built in the vicinity of each other that they may enjoy the advantages of mutual assistance and protection resulting from a state of society.*
(*Footnote. In several of the small islands near Sumatra (including the Nicobars), whose inhabitants in general are in a very low state of civilisation, the houses are built circularly. Vid Asiatic Researches volume 4 page 129 plate.)