“Speech is morning to the mind;
It spreads the beauteous images abroad,
Which else lie dark and buried in the soul.”
La parole, cette main de l’esprit.—Charron.
Syllables govern the world.—Coke.
To the thoughtful man, who has reflected on the common operations of life, which, but for their commonness, would be deemed full of marvel, few things are more wonderful than the origin, structure, history and significance of words. The tongue is the glory of man; for though animals have memory, will and intellect, yet language, which gives us a duplicate and multipliable existence,—enabling mind to communicate with mind,—is the Rubicon which they never have dared to cross. The dog barks as it barked at the creation; the owl hoots in the same octaves in which it screamed ages ago; and the crow of the cock is the same to-day as when it startled the ear of repentant Peter. The song of the lark and the howl of the leopard have continued as unchangeable as the concentric circles of the spider and the waxen hexagon of the bee; and even the stoutest champion of the orang-outang theory of man’s origin will admit that no process of natural selection has yet distilled significant words out of the cries of beasts or the notes of birds. Though we have little reason to doubt that animals think, there is yet no proof that a single noise made by them expresses a thought, and especially an abstraction or a generalization, properties characterizing the language of man. He only, in this world, is able to classify objects which in some respects resemble, and in others differ from one another, and to analyze and decompound the various objects of thought; and to him is limited the privilege of designating by arbitrary signs, and describing by distinctive terms, the things he thus comprehends. Speech is a divine gift. It is the last seal of dignity stamped by God upon His intelligent offspring, and proves, more conclusively than his upright form, or his looks “commercing with the skies,” that he was made in the image of God. Without this crowning gift to man, even reason would have been comparatively valueless; for he would have felt himself to be imprisoned even when at large, solitary in the midst of a crowd; and the society of the wisest of his race would have been as uninstructive as that of barbarians and savages. The rude tongue of a Patagonian or Australian is full of wonders to the philosopher; but as we ascend in the scale of being from the uncouth sounds which express the desires of a savage to the lofty periods of a Cicero or a Chatham, the power of words expands until it attains to regions far above the utmost range of our capacity. It designates, as Novalis has said, God with three letters, and the infinite with as many syllables, though the ideas conveyed by these words are immeasurably beyond the utmost grasp of man. In every relation of life, at every moment of our active being, in every thing we think or do, it is on the meaning and inflection of a word that the direction of our thoughts, and the expression of our will, turn. The soundness of our reasonings, the clearness of our belief and of our judgment, the influence we exert upon others, and the manner in which we are impressed by our fellow-men,—all depend upon a knowledge of the value of words. It is in language that the treasures of human knowledge, the discoveries of Science, and the achievements of Art are chiefly preserved; it is language that furnishes the poet with the airy vehicle for his most delicate fancies, the orator with the elements of his electrifying eloquence, the savant with the record of his classification, the metaphysician with the means of his sharp distinction, the statesman with the drapery of his vast design, and the philosopher with the earthly instrument of his heaven-reaching induction.
“Words,” said the fierce Mirabeau, in reply to an opponent in the National Assembly, “are things;” and truly they were such when he thundered them forth from the Tribune, full of life, meaning and power. Words are always things, when coming from the lips of a master-spirit, and instinct with his own individuality. Especially is this true of so impassioned orators as Mirabeau, who have thoughts impatient for words, not words starving for thoughts, and who but give utterance to the spirit breathed by the whole Third Estate of a nation. Their words are not merely things, but living things, endowed with power not only to communicate ideas, but to convey, as by spiritual conductors, the shock and thrill which attended their birth. Hazlitt, fond as he was of paradox, did not exaggerate when he said that “words are the only things that live forever.” History shows that temples and palaces, mausoleums and monuments built at enormous cost and during years of toil to perpetuate the memory or preserve the ashes of ancient kings, have perished, and left not even a trace of their existence. The pyramids of Egypt have, indeed, escaped in some degree the changes and chances of thousands of years; yet an earthquake may suddenly engulf these masses of stone, and “leave the sand of the desert as blank as the tide would have left it on the sea shore.” A sudden accident may cause the destruction of the finest masterpieces of art, and the Sistine Madonna, the Apollo Belvedere, or the Venus de Medicis, upon which millions have gazed with rapture, may be hopelessly injured or irretrievably ruined. A mob shivers into dust the statue of Minerva, whose lips seemed to move, and whose limbs seemed to breathe under the flowing robe; a tasteless director of the Dresden Gallery removes the toning of Correggio’s “Notte,” where the light breaks from the heavenly child, and deprives the picture of one of its fairest charms; an inferior pencil retouches the great Vandyck at Wilton, and destroys the harmony of its colors; and though no such mishap as these befall the product of the painter’s skill, yet how often,—
“When a new world leaps out at his command,
And ready nature waits upon his hand;
When the ripe colors soften and unite,