"They've gone to Newark," said Mac.

"To-morrow, then."

"Well," said Bill. "Come up here to-morrow. He's coming in to tell us some more. You'll meet him first and he can introduce you to his wife."

"That'll do first rate! I'm just crazy to get all the members I can."

The conversation rambled on irrelevantly after that, and we realized that for Miss Fraenkel at least, the story of Mr. Carville's life was not absorbingly attractive. We enjoyed her visit, as we always did, but her influence, in her present preoccupation, was feverish and to a certain slight degree disturbing.

The problem that presented itself when I retired that night was immaterial, perhaps, but new. I wondered quietly in what manner Mr. Carville would regard Miss Fraenkel. Doubtless I was over-exacting, but I desired to discover, in our neighbour's attitude towards the lady, some clue to his attitude towards us. I felt vaguely that his candour was not at all a mere casual fit of communicativeness of which we "just happened" to be the recipients. If this were the case, it would infallibly appear in his manner towards our voteless friend. It would be ... but no. My vanity did not carry me that far. The vanity of a man of forty is generally a steed broken to harness; it will not prance far into the unknown. I decided to wait until Mr. Carville decided the matter for himself.


The spectacle, while I was shaving next morning, of Mr. Carville proceeding sedately down Van Diemen's Avenue with his children, gave a fresh vagueness to his image in my mind. It was as though a hand had been passed over the picture, smudging the outlines and rendering the whole thing of dubious value. A model father! In my bewilderment I nearly cut myself. And yet, supposing, as I had been supposing, that Mr. Carville had set out with the definite object of contrasting himself vividly with his prodigal brother, would he not eventually take up the rôle of dutiful parentage? The extraordinary thing was that the model father should be also the artist.

I determined to abandon the Carville problem for an hour or two after breakfast in favour of Maupassant. It is my custom to read once a year at least, the chief works of that incomparable writer. The forenoon of our Sunday has this peculiarity: no moral obligation to work is imposed by our unwritten laws. If, on Sunday morning, I am discovered by Bill leisurely turning over a pile of old magazines, or reading a story, I am not greeted with "Do you call that work?" On the contrary, she will probably sit down beside me and indulge in what may be charitably described as gossip. Mac, too, will leave his palette and boards in peace, will lie luxuriantly in the big rocker, or, spade on shoulder, disappear among the shrubs at the lower end of the estate. We neglect collars and appear brazenly at breakfast in shirt-sleeves on Sunday mornings. It is for us a day of rest from the insistent badgering of ideas. Our minds go into neglige; we forget editors and advertising-managers for a while. Imagine then our dismay when I reported my view of Mr. Carville in his brushed blue serge and Derby hat, his glazed linen collar and dark green tie, passing sedately down the Avenue, a neat child in each hand. There seemed to be no rift in this man's armour of respectability. He seemed determined to maintain a great and terrible contrast between his inner and outer life. O supreme artist! I stretched myself on my sofa and opened Maupassant:

"Monsieur," I read. "Doctor James Ferdinand does not exist, but the man whose eyes you saw does, and you will certainly recognize his eyes. This man has committed two crimes, for which he does not feel any remorse, but, as a psychologist, he is afraid of some day yielding to the irresistible temptation of confessing his crimes."