"A woman came out of a little glazed office, a woman dressed in black plush, as it seemed to me, with list slippers on her feet and a mangy old fur wrap over her arms and across the small of her back. Perhaps it was the unusual state of mind I was in; but to me she had the appearance of a discontented Sibyl, a Sibyl who had been waiting for years for somebody to make an offer for her books. Nobody, apparently, had ever come, and she had to put up with me, who only wanted Doctor West. I was just asking about him when we tumbled back into the Twentieth Century. The telephone bell rang in the office.
"The Hotel Robinson had once been a palace, a marble palace with marble walls a couple of feet thick and staircases like a stonecutter's nightmare. The place was feudal. A coat-of-arms and a hat, in marble, still balanced themselves over the portico—Robinson's perhaps. I suppose the little glazed office was the sentry-box in the old days, where mendicants got their doles and tall freelances from Germany applied for a situation. May be. I looked through the glass partition and saw the woman bending forward, the telephone to her ear, her hand held out over a little charcoal brazier, her lips moving inaudibly, her eyes nearly closed, as though she were weaving a spell.
"I was beginning to feel cold when she rang off and came out again. 'Doctor West? I've just spoken to him,' she said. 'He is at his office in the harbour. He returns at eleven.'
"'I want to see him on a private matter,' I said.
"'To consult him?' she queried.
"'Not professionally, you understand, signora, but on a personal affair.'
"'Then come in the evening. He dines at seven. He is always in until ten. Will you leave your name?'
"I left my card and wrote on the back of it that I wished to see him about the relatives of Signorina Rosa Cairola. The woman read it, looked at me, shivered, murmured 'All right,' and went back to her brazier in the office.
"It was more cheerful in that marble tunnel in the evening. There were lights and people about. Not many, but enough to make the place less like a tomb. Perhaps the gloom of the morning was in myself. The Sibyl had put a flower in her hair by way of evening dress and was ordering servants about. I have often wondered who exactly she was. It is the fate of us who wander over the earth to leave so many by-ways unexplored. We can only glimpse and conjecture and, generally, forget. Life for us is like a walk along the broad, modern streets of an Italian city. Every little while we pass narrow alleys, mere slots in the mass of marble architecture, which dive down into darkness and mystery. Every little while we pass low-lying ramps and odd little causeways, where lighted windows give one sudden vivid pictures of heads and faces and arms, sudden snatches of gesture and conversation flung out at us as we pass. We want—I want—to investigate them all, to see what's round the corner, as they say. And we can't. We've got to go on to our destinations, and try and find our fun when we get there. But it wasn't just the vague, generalized appetite for odd characters which made me contemplate that fusty manageress with interest. It was the sudden fleeting reflection that, but for me, but for a chance accident, there was Rosa in years to come, faded, obscure, efficient, querulous and a failure. And in Hank I saw myself in years to come, only not so successful, not so rich, not quite so shady, I hope. I watched her moving about in her funereal draperies, the flower flopping as she shuffled and gesticulated. Presently she saw me and beckoned, and then I was shown up those ponderous stone stairs, the marble balustrade covered with red-baize for fear people might be frozen to it on the way, no doubt. A pair of vast double doors bore a microscopic inscription of the Doctor's name, together with an almost invisible pimple that was the bell, and before those sombre and enigmatic portals I was left to my fate. For once in a way, I was going to see what was round the corner.
"One leaf of the door opened and remained so for a second before a head appeared, a head of grey, upstanding hair and a dark, bushy beard. You don't often meet with doors that open in that fashion at home. You know the English fashion—six inches and a face peering at you suspiciously, or a wide fling open and the servant standing right up to you and blocking the way with a paralyzing stare. On the continent there is the porter below and the door opens to let you in, not just to see what you want. So in I walked, the door closed and I found myself in the ante-room of Doctor West's apartment, faced by Doctor West himself, and watched by a mummy-case standing close to the wall, a mummy-case painted with a strange, anxious face. Its gold eyes had luminous whites and strong black brows. That bizarre curiosity was the key of the Doctor's furnishing scheme, and it had for me another significance. I knew then that I had heard of him with some certainty. I connected him at last with various stories I had vaguely picked up, snatches of conversation on the bridge-deck or in the mess-room. I recalled the Chief telling me once of some doctor who had come, years ago, to stay at some hotel and who had never left it since except to spend a month every year in Egypt. Great student of mummies, the Chief said. Yes, I remembered it all. Perhaps, if I had not had Rosa, I might have fastened more securely to the story in the first place. Now Rosa had brought me to him. I told him who I was. He nodded and showed me into his front room.