And now, my engines! To the uninitiated it is, I suppose, a tiresome, bewildering uproar. And yet every component, every note of this great harmony, has a special meaning for the engineer; moreover, the smallest dissonance is detected at once, even though he be almost ready to doze. So finely attuned to the music does the ear become that the dropping of a hammer in the stokehold, the rattling of a chain on deck, the rocking of a barrel in the stores, makes one jump. It is the same with the eye. It is even the same with the hand. We can tell in an instant if a bearing has warmed ever so slightly beyond its legitimate temperature. And so it is difficult to know “who is the potter and who the pot.” The man and the machine are inextricably associated, and their reflex actions, one upon the other, are infinite. It is this extraordinary intimacy, this ceaseless vigilance and proximity, that gives the marine engineer such a pull over all others where endurance and resource accompany responsibility. In all big power-stations you will find many men with long sea service in charge of the engines.
I remember arguing once with a matter-of-fact apprentice in the shop concerning the suburbs as suitable localities for such as he. He was not convinced. “There!” he said, slapping the shelf above his bench. “That’s where I’d like ter sleep. All yer gotter do at six o’clock is roll off and turn to!” Well, that is just what he would get at sea. In most steamers the engineer walks out of the mess-room, bathroom, or berth, into an alley-way on either side of the engine platform. The beat of the engines becomes part of his environment. He sleeps with it pulsing in his ears, so that if she slows or stops he opens his eyes. When I go up at four o’clock and call the Second Engineer, he will stretch, yawn, half open one eye, and mutter, “What’s the steam?”
To keep him awake I retail some piece of current engine gossip. “After-bilge pump jibbed at three o’clock,” I say. “Aw ri’ now?” he asks. “Yes, aw ri’ now,” I answer. “You’ll have to watch the M.P. guide though—she’s warm.” Then, remarking that the after-well is dry, and that I’ve got plenty of water in the boilers for him, I leave him and go below till he relieves me. It is a point of honour among us to know every kink and crotchet of day-to-day working. If a joint starts “blowing” ever so little away up in some obscure corner of our kingdom, we know of it within an hour or two. One would think we were a mothers’ meeting discussing our babies, to hear the grave tittle-tattle concerning the inevitable weakness of babies and engines which passes over the mess-room table.
Now come with me along the tunnel, then, to the end of the world. A narrow, sliding water-tight door in the bulkhead here, under the shadow of the thrust-block—elegance in design, you will observe, being strictly subordinated to use. Follow carefully now, and leave that shaft alone. It will not help you at all if you slip. The music has died away, only a solemn clonk-clonk—clonk-clonk reverberates through this narrow, Norman-arched catacomb. At length we emerge into a larger vaulted chamber, where the air is singularly fresh—but I forgot. I am not writing a smugglers’ cave story. We are under an air-shaft running up to the poop-deck, and we may go no further. The fourteen-inch shaft disappears through a gland, and, just beyond that is the eighteen-foot propeller whirling in the blue ocean water. Here, for us, is the great First Cause. Of the illimitable worlds of marine flora and fauna outside these riveted steel walls the sailor-man knows nothing and cares less. What are called “the wonders of the deep” have no part in the life of the greatest wonder of the deep—the seaman.
And when the propeller drops away, as it does sometimes—drops “down to the dark, to the utter dark, where the blind white sea-snakes are”—there goes out from that ship all life, all motion. Even as the mass of metal plunges downward and as the frenzied engineer rushes through blinding steam and water to stop the engines in their panic rush, the spirit of the vessel goes out of her in a great sigh. With dampered ash-pits her fires blacken and go out, the idle steering-engine clanks and rattles as the useless rudder tugs at her chains, and the crew tell in whispers how it happened just like that on the Gipsy Queen, out of Sunderland, or the Gerard Dow, out of Antwerp. All of which is not to be learned in the study at home. Let us get back to the engine-room.
I am curious to know how all this would strike my friend at home. Would it not, as Henley used to say, give him much to perpend? I hear him mutter that phrase we talked out once, at the tea-table—“The Age of Mechanism.” But why not an Age of Heroism? Mind, I use this latter word in its true sense as I use the word Hero. For some occult reason, known only to Brixton and Peckham Rye, a hero is the person who jumps into the Thames and pulls a woman out, or the interesting inanity of a popular serial. There is nothing essentially heroic in life-saving. Indeed, all the old heroes of Norseland, Rome, and Greece regarded the saving of life with a contempt that was only natural when we consider the utter lack of board schools and their frantic belief in a hereafter. I imagine the Norse Sea-kings who pushed out to Vine-land—aye, even down to Cape Cod—would have been puzzled to hear an undersized clerk who had saved a man from a watery grave described as a hero. Their method was to pull the drowning wretch out with a boat-hook, and curse him for being so clumsy as to fall in. Eric the Red never worried about a sailor who had the bad judgment to be washed overside during the night. Hercules would have felt outraged had the Royal Humane Society of the period loaded him down with their medals. Achilles would as soon have thought of committing the interminable catalogue of the Grecian Ships to memory as of associating the saving of life with the heroic. I am not suggesting that these heroes are more worthy of emulation than a life-saver; I only want to explain that there is, in our day, a race of beings, half-man, half-god, who correspond, in all broad characteristics, to those rather indecent heroes of early imaginative literature. They do with ease those deeds which would have appalled the mailed monsters of chivalry; they regard the other sex as being created solely for their use in port; they love life dearly, but they leave the saving of it, like the heroes of old, to the gods.
One has only to listen (in the galley) to their nonchalantly narrated tales of mystery and horror to realize the truth of that argument. A steady monotone is the key of their telling, their voices rising only to hammer home some particularly horrific detail. Sometimes, in the clangour of the engine-room, they will relate perilous misadventures at sea, or ludicrous entanglements in sunny southern ports. But they never waste breath in elaboration or “atmosphere.” They leave that to the nervous listener. They know nothing of the artistic values of their virile tales. They do not know they are only carrying on the tradition of the men of all time since Homer. They fling you the fine gold of their own lives, and wallow in the tittle-tattle of lady-novelists and Reynolds’s. They seethe with admiration for Captain Kettle’s amazing manœuvres, while the shipping offices are papered with lists of those who are too indolent or too forgetful to claim their service medals from the Government.