Sir:
Since you would like to know when, where, and under what conditions I drew the pencil portrait of Napoleon just sent you, here is the account:
In 1801 I was made a member of the Cisalpine delegation which went to Lyons in order to draft under the presidency of Napoleon, then First Consul, the constitution of my country. When all was settled the First Consul came to preside in person over the Cisalpine Assembly, knowing he would be elected president of our republic, to which he gave under those conditions the name of Italian Republic.
I was seated not far from him during the time when a rather prolix and fulsome orator recited a wordy speech destitute of sense and taste. Possibly Bonaparte was paying no attention; but he looked quietly at the speaker, thinking of something more important. I saw him in profile as he is represented in my drawing, and a fine light coming from the large window in the front of the church where we were gathered marked his nose rather more strongly than the rest of his features. The sketch, almost completed, was so nearly an entire success that little remained to be done in finishing it. Everybody both in Lyons and Paris, whither I afterwards went, thought it at the time the most striking portrait of that extraordinary man.
This, Sir, is my account of the portrait. I am at your service.
Most devotedly,
Joseph Longhi.
Milan, June 4, 1828.
Now in the Bodleian Library.
But festivities and activities alike began immediately after the declaration of the Empire on May eighteenth, 1804. A most successful ceremonial of inauguration was held in June at the Hospital of the Invalides. The titled emigrants who were now numerous in society assumed a most amusing pose. They pouted and with contemptuous gestures signified their sense of shame at having fallen to such low estate. But our evidence is conclusive that by dint of unwearied solicitation they "forced themselves to be forced," in the words of a later historian. The self-styled aristocracy of the day resembled no other: most of their titles were either new or were held by persons otherwise consequential, not by birth, but on account of either wealth or influence, who had at no very distant date married or assumed the dignities they flaunted. This had long been true even under the old monarchy; the Revolution had enabled many shrewd bargainers to assume territorial names and particles which were for the best of reasons not questioned by needy adventurers of older stock; the dawning imperial society, though yet untrained to the severe restraint of the courtier, was making rapid progress and had moreover all the influence which proceeds from a fountain of honor which is likewise the well-spring of power. Hungry aspirants to imperial favor must needs brook more exasperating associates than even the rude soldiery and the Bonaparte family, who, though utterly common, were at least personally good to look upon and exhibited all possible zeal to acquire the manners of a more experienced nobility. The number of those who expressed their disgust for Napoleon's weakness in the tawdry display he so admired was few indeed. Courier said that in the arrangement of empire the hitherto great man had aspired to degradation, and Beethoven changed the dedication of his Heroic Symphony from the form, "To Bonaparte," into the sad caption, "To the memory of a great man." The legend on Napoleon's new coinage was most significant: French Republic, Napoleon Emperor. To be Emperor of the French Republic would have been to continue great. Human nature and unfavorable environment made it impossible.